We’re joined this week by the entire cast of the Low Times podcast for their music recommendations. Daniel Ralston goes with Rock Bottom by King Krule, Maggie Serota suggests Your Side by Fear of Men, and Tom Scharpling recommends The Diaz Brothers by The Mountain Goats.
Liam Lynch is a writer, director and musician who’s made a career out of a certain kind of alternative musical and skit comedy — the kind that is “funny the way your friends are funny with each other.” That sensibility lent itself well to Lynch’s directorial work in Sarah Silverman’s Jesus is Magic and Tenacious D’s The Pick of Destiny.
His sock puppet duo, Sifl & Olly, found a niche on late-night television on MTV. Joined by the occasional sidekick or home shopping network representative, Sifl and Olly ribbed each other, took calls from the public, and broke out into songs like Lynch’s strange and catchy “United States of Whatever.”
He’s now revived the puppets, more than ten years after the last Sifl & Olly Show broadcast, to conduct fake video game reviews for the YouTube channel Machinima.
The Kasper Hauser news team is back with another update. If you’re tired of telling fact from fiction in your news, we’ll make it simple for you: this news is completely fake.
Geoff Nunberg is a professor at UC Berkeley, the resident linguist of Fresh Air, and the author of Ascent of the A-Word: Assholism, the First Sixty Years. He talks to us about his studies into the word “asshole,” which began life as a bit of slang used by WWII servicemen and has come to envelop the concept of modern incivility.
Jesse shares his enjoyment of the analytical comedy of Bill Burr.
Who’s your favorite standup? Jump over to the MaxFun forum and pick your own Outshot.
About the show
Bullseye is a celebration of the best of arts and culture in public radio form. Host Jesse Thorn sifts the wheat from the chaff to bring you in-depth interviews with the most revered and revolutionary minds in our culture.
Bullseye has been featured in Time, The New York Times, GQ and McSweeney’s, which called it “the kind of show people listen to in a more perfect world.” Since April 2013, the show has been distributed by NPR.
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