Mark Frauenfelder of BoingBoing and the Gweek podcast joins us again this week to talk about some of his current favorite things. Mark suggests a turn at the multiplayer iPhone game Spaceteam, which is all about yelling techno-gibberish at friends. In the mood for something a little more quiet? Mark also recommends The Magazine, a minimalist, ad-free digital publication “for geeks and curious people.”
Simon Rich got his first book deal in 2007. Since then, he’s published five books, received a nomination for the Thurber Prize for American Humor, contributed regular essays to the New Yorker, and worked on Saturday Night Live as a staff writer (which he recently left for a top-secret writing job at Pixar). How old is he? 29. Basically, Simon Rich has his act together.
The characters he writes about? Not so much. His latest book, The Last Girlfriend on Earth, is a collection of vignettes about lost characters coming to terms with love. And these aren’t your typical stories of romance and heartbreak; in true Simon Rich fashion, his stories make the mundane profound and vice-versa. (No one else can write a story about God’s girlfriend and follow it up with a touching monologue from a prophylactic’s POV.)
Simon sits down with Jesse to discuss the autobiographical elements of his stories, the appeal of writing from a child’s point of view, and how love is a lot like heroin.
Simon Rich’s new book of essays, The Last Girlfriend on Earth, is available in bookstores everywhere.
Digging through old stuff from your childhood can be a lot of different things – insightful, hilarious, wistful, nostalgic. But in comedian Eugene Mirman’s case, it was just embarrassing. In this clip from his latest special, Eugene describes a childhood relic, found in his parents’ basement.
Eugene Mirman’s new special, An Evening of Comedy in a Fake Underground Laboratory, is now available as a combination CD/DVD.
Conventional wisdom amongst standup comics dictates that a crowd has to be on your side before you can make them laugh. It’s good general advice, but it’s not advice that Bill Burr follows – and he’s all the better for it.
Bill Burr’s comedy is, in a word, aggressive. It’s not just that he looks and sounds tough, qualities that have landed him voice acting work in Grand Theft Auto IV and guest appearances on Breaking Bad. Aggression and confrontation are at the core of Bill’s act; he’s not afraid to curse out unruly audience members or start a set with a joke that, in a lesser comic’s hands, might totally alienate a crowd. But his comedy isn’t all tough-guy machismo. He’s just as likely to direct a rant at himself as he is others, a quality that makes his work all the more hilarious and human.
Bill spoke with Jesse a few years ago to talk about Bill’s style of comedy, challenging himself and audiences in his act, and every performer’s most dreaded nightmare: having to follow a dog or child onstage.
This interview originally aired in October 2010.
On this week’s Outshot, Jesse tears the house down with a timeless live album. It’s Solomon Burke’s “Soul Alive.”
About the show
Bullseye is a celebration of the best of arts and culture in public radio form. Host Jesse Thorn sifts the wheat from the chaff to bring you in-depth interviews with the most revered and revolutionary minds in our culture.
Bullseye has been featured in Time, The New York Times, GQ and McSweeney’s, which called it “the kind of show people listen to in a more perfect world.” Since April 2013, the show has been distributed by NPR.
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