P-Funk’s George Clinton and Tagging with Christian Acker

Episode 112

11th March 2014

George Clinton is the 72-year-old master of funk. He paid his dues in the mainstream — singing doo wop and writing for Motown. Then, with Parliament-Funkadelic he developed a look and a sound that was like nothing else before it. Later Christian Acker talks about the history of the tags you see on walls, park benches and trash cans everywhere. Plus, we’ll go into the woods with comedian Chris Fairbanks. Andrew Noz will tell you about great new tracks from Nicki Minaj and Vince Staples. Lastly Jesse will play a song that reminds you of what it feels like to be a teenager. The good parts.

Episode notes

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P-Funk’s George Clinton: From Doo Wop to Funk, and Saving His Musical Career

The musician, producer and 72 year-old mastermind of Parliament-Funkadelic, George Clinton, has never been shy of the limelight. He started his career singing doo wop, later found himself writing songs for Motown, and finally wound up creating a wholly unique sound and visual experience with Parliament-Funkadelic. They made hits like One Nation Under A Groove and Flashlight and their performances were as funky as their tunes.

In recent years, Clinton has found himself entangled in a series of legal battles over the copyrights of his songs. While fighting in the courts, George found himself fighting for his health as well. The doctor of the Funk gave himself his own prognosis: if he was going to continue a musical career and regain agency in his business affairs, he had to clean up his act, and he has.

The pioneer of funk joins us this week to talk about the evolution of his musical career, getting wild onstage, and putting forward momentum back into his musical career — and even gives us an update on Sly Stone.

George Clinton and Parliament Funkadelic are still touring and recording. George has a reality show and a memoir in the works as well. You can track him down on his official website.

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Mike Coppola/Getty Images Entertainment/Getty Images

Hip Hop with Andrew Noz: Vince Staples (feat. James Fauntleroy) and Nicki Minaj

Andrew Noz joins us to provide some recommendations from the world of hip hop. First, we talk about Vince Staples’ intimate, raw track about his father, “Nate” featuring James Fauntleroy. Andrew also suggests a listen to Nicki Minaj’s new track, “Lookin Ass”, a battle rap that shows Nicki still spits.

Andrew Noz is the columnist for Pitchfork’s Hall of Game and blogs at Cocaine Blunts. You can also find him on Tumblr.

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Comedy: Chris Fairbanks Wonders About Owls

The comedian Chris Fairbanks joined us a few years ago at our annual convocation in the woods, MaxFunCon. And he wondered — what’s up with all these owls?

He’s going to join us for another big event this year: the second annual Atlantic Ocean Comedy & Music Festival July 25-28, 2014. You can find details at boat party dot biz. To learn more about Chris and his upcoming shows at hisofficial site.

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Christian Acker does. His book Flip the Script is a look at graffiti typography, and celebrates the art of tagging — one of the last strongholds of highly refined penmanship.

Acker collected writing and spoke to graffiti artists all over the country, to chronicle and analyze hand styles from Oakland to Queens. In a world where people too rarely place ink to paper, we’ll look at a typographical expression that reflects your individuality, roots, and even how long you’ve been practicing.

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The Outshot: Baba O’Riley

There’s at least a couple of good parts of teenagerdom. This week, Jesse shares some of them with The Who’s Baba O’Riley.

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In this episode...

Senior Producer
Producer
Maximum Fun Producer
Maximum Fun Production Fellow
Video Editor

Guests

  • George Clinton
  • Christian Acker

About the show

Bullseye is a celebration of the best of arts and culture in public radio form. Host Jesse Thorn sifts the wheat from the chaff to bring you in-depth interviews with the most revered and revolutionary minds in our culture.

Bullseye has been featured in Time, The New York Times, GQ and McSweeney’s, which called it “the kind of show people listen to in a more perfect world.” Since April 2013, the show has been distributed by NPR.

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Senior Producer

Producer

Maximum Fun Producer

Maximum Fun Production Fellow

Video Editor

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