Saxophonist Kamasi Washington is one of the most talented jazz musicians around. He’s collaborated with Thundercat, Ryan Adams, Flying Lotus, Run the Jewels – that’s just naming a handful. On Kendrick Lamar’s classic “To Pimp A Butterfly,” you can hear his saxophone and arranging work, too.
To define Kamasi Washington by the people he’s collaborated with, however, would be doing him a disservice. He’s recorded about half a dozen solo records. He’s a dynamic, thrilling composer and bandleader.
If you love the work of Alice Coltrane or Pharoah Sanders, you’ll hear something familiar in Kamasi’s music. Like them, Kamasi writes songs from a transcendent, spiritual place. It’s strange and lush. There’s usually a melody that hypnotizes you. The songs run long, but just like the free jazz greats, you’ll lose yourself in them.
Kamasi was born in the 80s, raised in Los Angeles, and he grew up listening to jazz classics, but also N.W.A., Marvin Gaye, and Snoop. The music he makes is eclectic. It’s why his albums have ended up on so many critics’ top 10 lists, and it’s also why those same critics often ask whether Kamasi Washington is the one to make jazz a young person’s game again.
Simon Rich is one of Jesse’s favorite comedy writers. He started young: first as editor of the Harvard Lampoon, then, at just 23, Simon was hired as a writer on SNL. He’s also written for Pixar, The New Yorker, and is the author of seven books. He created the FXX TV series Man Seeking Woman and just had another pilot picked up by ABC.
Simon hasn’t even turned 35 yet.
Earlier this year he wrote a book called Hits & Misses. It’s a collection of short stories – some of his funniest work to date. This week, he reads us a story called “New Client.”
About the show
Bullseye (formerly known as The Sound of Young America) is a weekly celebration of the best of arts and culture. Host Jesse Thorn sifts the wheat from the chaff to bring listeners in-depth interviews with the most revered and revolutionary minds in our culture.
The show is carried by public radio stations around the country, and was the first public radio program west of the Mississippi to podcast. It has received plaudits from publications like Time Magazine (which called it “Pick of the Podcasts”) and Salon.com. It was also honored by the iTunes editorial staff as a “classic” Best of iTunes selection. Since April 2013, the show has been distributed by NPR.
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