Forest Whitaker has been acting for over thirty years now and has won award after award including the Academy Award for best actor for his role as Idi Amin in “The Last King of Scotland.” He has a knack for taking huge figures from history and portraying them as complex, fascinating, and sometimes really fragile people. He played Charlie Parker in “Bird.” He played Cecil Gaines, the White House butler in “The Butler.” Now, he’s starring as Archbishop Desmond Tutu in the new film “The Forgiven,” directed by Roland Joffe, who also made the classic 1984 film “The Killing Fields.”
“The Forgiven” takes place in South Africa, just after apartheid. The Truth and Reconciliation Commission is in full swing- holding public and private testimony from the victims and perpetrators of past wrongs. Archbishop Tutu was the chairman of the commission, appointed by Nelson Mandela himself.
Whitaker chats with Jesse about Tutu’s struggle to love the most heinous of criminals and how he himself struggles to love people that have hurt him. He talks about the origin of his movie “Ghost Dog: The Way of the Samurai” and what he learned about acting while playing the title role. He also explains why he stands by his movie “Battlefield Earth” – despite the many haters ready to poke fun about how bad the film was.
Armando Iannucci is a writer and director who created the HBO TV series “Veep,” which has won seventeen Emmy Awards. He also created the BBC political comedy “The Thick of It,” which later spun off into the move “In the Loop.” He specializes in finding comedy in broken political systems and the bureaucrats who run them. He’s found most of his material in the people who run democracies – UK cabinet ministers and presidential wannabes.
His latest project is called “The Death of Stalin.” The film is set in Russia in 1953. Josef Stalin is dying from a cerebral hemorrhage and there’s a power struggle brewing among members of his advising committee. He says the film is about five terrible people who pretty much all think they’re fighting the good fight. The characters are all classic Iannucci: they’re ambitious, chaotic and all deeply insecure. They betray one another at every turn, then feign concern and friendship when it’s politically convenient.
He’ll talks to Jesse about how this new movie took him out of his comfort zone, the fascinating stories he gathered from survivors of Stalin’s regime, and why doing satire nowadays is harder than ever.
Oakland’s “The Coup” stand out among the greats of hip-hop’s golden age of the late 80’s and early 90’s. They are standard bearers of that period’s mix of politics, humanity, and humor.
About the show
Bullseye (formerly known as The Sound of Young America) is a weekly celebration of the best of arts and culture. Host Jesse Thorn sifts the wheat from the chaff to bring listeners in-depth interviews with the most revered and revolutionary minds in our culture.
The show is carried by public radio stations around the country, and was the first public radio program west of the Mississippi to podcast. It has received plaudits from publications like Time Magazine (which called it “Pick of the Podcasts”) and Salon.com. It was also honored by the iTunes editorial staff as a “classic” Best of iTunes selection. Since April 2013, the show has been distributed by NPR.
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