Episode notes
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“The Forgiven” takes place in South Africa, just after apartheid. The Truth and Reconciliation Commission is in full swing- holding public and private testimony from the victims and perpetrators of past wrongs. Archbishop Tutu was the chairman of the commission, appointed by Nelson Mandela himself.
Whitaker chats with Jesse about Tutu’s struggle to love the most heinous of criminals and how he himself struggles to love people that have hurt him. He talks about the origin of his movie “Ghost Dog: The Way of the Samurai” and what he learned about acting while playing the title role. He also explains why he stands by his movie “Battlefield Earth” – despite the many haters ready to poke fun about how bad the film was.
Click here to listen to Forest Whitaker’s interview on YouTube.
His latest project is called “The Death of Stalin.” The film is set in Russia in 1953. Josef Stalin is dying from a cerebral hemorrhage and there’s a power struggle brewing among members of his advising committee. He says the film is about five terrible people who pretty much all think they’re fighting the good fight. The characters are all classic Iannucci: they’re ambitious, chaotic and all deeply insecure. They betray one another at every turn, then feign concern and friendship when it’s politically convenient.
He’ll talks to Jesse about how this new movie took him out of his comfort zone, the fascinating stories he gathered from survivors of Stalin’s regime, and why doing satire nowadays is harder than ever.
Click here to listen to Armando Iannucci’s interview on YouTube.
Click here to listen to Jesse’s Outshot on The Coup on YouTube.
In this episode...
Guests
- Forest Whitaker
- Armando Iannucci
About the show
Bullseye is a celebration of the best of arts and culture in public radio form. Host Jesse Thorn sifts the wheat from the chaff to bring you in-depth interviews with the most revered and revolutionary minds in our culture.
Bullseye has been featured in Time, The New York Times, GQ and McSweeney’s, which called it “the kind of show people listen to in a more perfect world.” Since April 2013, the show has been distributed by NPR.
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