Morris has a way of painting portraits of people in his films that’s incredibly vulnerable. A perfect example of this is his first documentary “Gates of Heaven” released in 1978. It’s a film about pet cemeteries, and the connection people feel to their deceased pets. The documentary told through interviews of pet owners, and it’s unnarrated. Some of his films, like “The Thin Blue Line” try to find objective truth. That film ultimately helped secure a innocent man’s freedom from prison.
His films are nuanced, they’re funny, they’re tragic, and always fascinating. His latest project is a six-part miniseries for Netflix called “Wormwood.” The series explores the CIA LSD experiments in the late 1950’s, and the effects on a man named Frank Olson, a CIA employee and biochemist, who inexplicably jumped out a window to his death from a New York Hotel room in 1953. The story is mostly told through interviews of Frank’s son, Eric, who’s worked for years to uncover the truth. The series is kind of a departure for Errol’s signature style — it blends dramatic reenactments and real life interviews.
Errol sits down with Jesse and they discuss the nature of truth, camera angles, and his new documentary, “Wormwood.”
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Bullseye is a celebration of the best of arts and culture in public radio form. Host Jesse Thorn sifts the wheat from the chaff to bring you in-depth interviews with the most revered and revolutionary minds in our culture.
Bullseye has been featured in Time, The New York Times, GQ and McSweeney’s, which called it “the kind of show people listen to in a more perfect world.” Since April 2013, the show has been distributed by NPR.
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