Elvis Mitchell, Kevin Barnes, and My Brother, My Brother, and Me

Episode 25

26th June 2012

Elvis Mitchell on how he made a career writing about movies, and why he was arrested on the Canadian border with Cuban cigars and 15 thousand in cash. Kevin Barnes, from of Montreal, goes small in the studio but BIG and BOLD on stage. Plus, the Brothers McElroy solve listeners’ pressing pop culture problems and use a lot of Jurassic Park references in the process.

Episode notes


Comic Books with Alex Zalben and Brian Heater

Our comic book experts return with new graphic bounty! Alex Zalben recommends the new series Mind MGMT by Matt Kindt, who spins a tale of a plane crash, memory loss and psychic spies. The second issue in the series is out now. Brian Heater suggests you check out Angelman by Nicholas Mahler, which is a story of a man who has superpowers that might be milder or meeker than those of most heroes — fighting figurative fire with qualities like being a “good listener”.

You can find Alex Zalben writing for MTV Geek or co-hosting NYC’s Comic Book Club Live. Brian Heater is a journalist and the Editor-In-Chief of The Daily Crosshatch, which highlights alternative comics.

(Embed or share this week’s Comic Book Recommendations!)

Elvis Mitchell, Film Critic

Elvis Mitchell is a critic who’s brought his insights on film to the pages of the New York Times and the L.A. Weekly; he’s also interviewed scores of film industry writers, actors and directors over fifteen years of hosting the LA-based public radio show The Treatment. He’s even ventured into filmmaking himself, producing a series of documentaries about race and success called The Black List.

But while he’s been in the business of film criticism a long time, his manner or tastes can’t be called conventional. Mitchell talks about his wide-ranging cultural appetite (which has room for well-executed films like Pootie Tang), the interplay between television and film, and how he got into the business of analyzing pop culture.

(Embed or share this interview with Elvis Mitchell)

Pop Culture Advice from My Brother, My Brother and Me

The brothers McElroy — Travis, Griffin and Justin — are in the business of giving advice, though they don’t suggest you take it. This week, they answer listeners’ queries about the collision of pop culture and personal relationships. The McElroy brothers host a weekly podcast called My Brother, My Brother, and Me.

(Embed or share MBMBAM’s Pop Culture Questions, Answered)

of Montreal Frontman Kevin Barnes

Kevin Barnes founded the experimental pop group of Montreal over fifteen years ago, and the band’s sound has morphed as often as (and alongside) Barnes’ various stage personae and personal ups and downs. Of Montreal’s original twee pop sensibility gave way to new sounds and increasingly complicated arrangements over the years, as the band experimented with electronic, R&B, funk, disco and psychedelic music within a pop framework.

Barnes discusses why he writes so much of the band’s music on his own, the theatricality of the band’s live performances (from elaborate costumes and skits, to a live horse), and more.

The band’s latest release, Paralytic Stalks, is out now.

(Embed or share this interview with Kevin Barnes)

The Outshot: The Late Show with David Letterman

Jesse explains what makes David Letterman such an especially gifted late night host in a world of very good late night hosts.

Got a cultural gem of your own? Pick your own Outshot on the MaxFun Forum.>

(Embed or share this Outshot on David Letterman)

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In this episode...

Senior Producer
Producer
Maximum Fun Producer
Maximum Fun Production Fellow
Video Editor

Guests

  • Elvis Mitchell
  • Kevin Barnes
  • Alex Zalben
  • Brian Heater
  • Travis McElroy
  • Griffin McElroy
  • Justin McElroy

About the show

Bullseye is a celebration of the best of arts and culture in public radio form. Host Jesse Thorn sifts the wheat from the chaff to bring you in-depth interviews with the most revered and revolutionary minds in our culture.

Bullseye has been featured in Time, The New York Times, GQ and McSweeney’s, which called it “the kind of show people listen to in a more perfect world.” Since April 2013, the show has been distributed by NPR.

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