Transcript
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[Three gavel bangs.]
jesse thorn
Welcome to the Judge John Hodgman podcast. I'm Bailiff Jesse Thorn. This week: "Occam's Frasier." Emily files suit against her friend Aaron. Emily and Aaron are regulars at a bar which they affectionately refer to as their "Cheers." Recently they tried to decide which Cheers characters they are. Emily wants to be Martin Crane. Aaron believes that Emily cannot be Martin Crane, because he is a character from Frasier. Emily disagrees, and asks the court to rule that Martin Crane exists in the world of Cheers.
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[As Jesse speaks below: Door opens, chairs scrape on the floor, footsteps.]
jesse
Who's right? Who's wrong? Only one can decide. Please rise as Judge John Hodgman enters the courtroom and presents an obscure cultural reference.
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[Door shuts.]
john hodgman
[Singing to the tune of "When the Saints Go Marching In"] Albaniaaa! Albaniaaa! You border on the Adriiiatiiic! Your terraaain is mountainous and rockyyy! And your chief export is chrome! [Speaking] Bailiff Jesse Thorn, swear the litigants in.
jesse
Emily, Aaron, please rise and raise your right hands. Do you swear to tell the truth, the whole truth, and nothing but the truth, so help you God or whatever?
emily
I do.
aaron
I do. [Emily laughs quietly.]
jesse
Do you swear to abide by Judge John Hodgman's ruling, despite the fact that if he were a Cheers character, he would be Harry Anderson? [The litigants laugh.]
emily
[Laughing] Yes.
aaron
Yeah, I do.
jesse
From Dave's World? [The litigants laugh harder.] Okay, Judge Hodgman, you may proceed!
john
Harry The Hat! Deeep cuts! Deep cuts from season one of Cheers, were we ever so young.
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[As John speaks below: Chairs scrape on the floor.]
john
Emily and Aaron, you may be seated. For an immediate summary judgment in one of yours' favors, can either of you name the piece of culture that I referenced as I entered this courtroom? Emily, will you start?
emily
I originally was gonna go with another deep cut spinoff, but nothing is coming to mind. So I am gonna say Medallion Status. [Multiple people laugh.]
john
Medallion Status: True Stories from Secret Rooms— [Emily laughs.] —the new book by me, John Hodgman, available now wherever you buy books in all electronic, audio, and printed forms. Bit.ly/MEDALLIONSTATUS, all capital letters, all one word, #AlwaysBePlugging. What was the obscure spinoff that you wanted to reference?
emily
Booker, which is a spinoff from 21 Jump Street.
john
Ohhh! That is an obscure spinoff. Wasn't there gonna be a Rhea Perlman—there—no, there was a—The Tortellis was a spinoff of Cheers.
crosstalk
Emily: Yes. Jesse: Yeah. Emily: Yeah.
john
Yeah. That's right. I knew that there was an obscure spin—and did that actually—I know they shot a pilot. Did that go to series at some point?
emily
I am not sure. It's listed on Wikipedia, so... [Someone snorts.] ...that's enough!
john
Well, then— [Emily laughs.] Literally this coming from someone who sent me in the evidence a link to a definition of "retcon." [Emily laughs.] This is gonna get deep.
emily
Yeah.
jesse
It aired for four months, John. In 1987.
john
That's gotta be several episodes! Alright! Aaron, what's your guess?
aaron
I had, you know, something up my sleeve for—to inject some Canadian content into this podcast.
john
Right! 'Cause you are British Columbians, is that correct?
crosstalk
Emily & Aaron: Yes. Aaron: Correct. Yeah.
aaron
But, that really strikes me as like a They Might Be Giants kids song. One of their, like, pop songs about—you know, Albania, I guess. [He and Emily laugh.]
john
Like from one of their many kids albums, like No!.
aaron
Yeah. Yeah. Or Here Come the 123s.
john
Or Here Come the 123s, right, mm-hm, interesting, yeah!
aaron
Yeah.
john
And Emily and Aaron, I wasn't listening when Jesse introduced the case. What is this about? [The litigants laugh.]
emily
It's about Cheers and—
john
Cheers! [They laugh again, and continue at various intensities until noted otherwise.] Oh! Interesting! Hm! Any of you wanna guess Cheers? Yes? No? Good. No. 'Cause if you did, then that answer would be right!
crosstalk
John: Come on, you guys! Emily: [Laughing] Oh my god.
john
What if one of you had said, "Uh, I think it's Cheers," 'cause like, you knew it, right? 'Cause you watch Cheers, you love Cheers, or at least one of you loves Cheers. One of you loves Cheers enough not to degrade it. [The laughter swells and then stops.] You're talking about Cheers in the bar all the time 'cause it reminds you of Cheers, and you're like, "I've seen every episode—" [Aaron or Emily snorts.] —and specifically you've seen episode number 16 in season 3, "Teacher's Pet." [Aaron laughs.] Where Coach Ernie Pantusso—played of course by the late Nicholas Colasanto—explains to Sam Malone [stifling laughter] that the way he learned geography was by making up songs about it.
emily
Augh.
aaron
Yeah.
emily
That's good.
john
If you had said all of those things... [Aaron laughs.] Do you know what I would have said to you? Aaron, Emily, I would have said "You're still wrong." [They laugh.] [Stifling laughter] Because I changed a line.
aaron
Oh.
john
I have sung that song to myself probablyyy once a month, [stifling laughter] since I was 19 years old. [The litigants laugh.] Since the day my dear friend and perhaps yours, Jonathan Coulton, in college, said that that was his favorite joke from Cheers. When Coach sang about Albania, and it closed with "And your chief export is chrome." [The litigants and Jesse laugh.] And I had not realized until this moment that Jonathan Coulton had punched that song up. Because the original line was "Your land is mostly mountainous." He realized that that did not track with "The Saints Go Marching In." [The litigants laugh quietly.] So he changed it, whether knowingly or not, to a much better line: [Half-singing] "Your terrain is mountainous and rockyyy, and your chief export is chrome." [They laugh again.] [Speaking] I think about it at least once a month. I laugh to myself every time. Do you know why? 'Cause Cheers is a wonderful television show. It is unstoppably great. [They laugh again.] One revisits it from time to time, wondering, "Do I misremember? Perhaps this has aged." And certainly it has aged in certain ways, in terms of the fashions people are wearing. [Laughing] In terms of the wild lack of diversity in the cast, which is astonishing. [The others also laugh.]
emily
Yeah.
john
And yet, comedically? It stands up! It's beautiful. It's a thing of beauty. It's something you want to keep precious in one's life. [Sharply] By not making provocative claims about it! Emily, you brought this case before the court. What is the issue?
emily
I brought this issue to the court because we spend a lot of time at a bar in Victoria called Sherwood—Sherwood Cafe & Bar.
john
It's kind of the Cheers of Victoria, British Columbia.
jesse
Yeah, I'm glad that you clarify that it was Sherwood Cafe & Bar— [Emily laughs.] —for people who thought it was Sherwood Forest & Robbers? [Multiple people laugh.]
emily
Yeah. I mean, it's a common confusion. We spend a lot of time there. We know a lot of the regulars. And the day that we had this discussion was one particular day where a lot of people we knew—
john
Hang on. Hang on. I just wanna verify: Does everyone know your name? [She and Jesse or Aaron laugh. Beat.]
crosstalk
Emily: Oh, I get—[laughing] yeah—[laughs]. It took me—[laughs]. Jesse: At your local hangout! Emily: Yes. Jesse: Sherwood Brad and Ray Romano.
emily
Yes. Yes. [Multiple people laugh.] Many, many people there know my name.
john
When you walk in do they go, "Emily!"?
emily
[Laughs.] Sometimes.
aaron
It's—it has happened.
crosstalk
Emily & Aaron: It has happened. Emily: Yeah.
john
This is your local place where you like to hang.
emily
Mm-hm.
john
And you like to hang around with Aaron, who is your... friend?
emily
Yes. [Someone laughs quietly.] My best bud.
john
Your beeest buuud in Canada. [The litigants laugh.] And maybe the world!
emily
Yeah! Yeah, I'd say that's true.
john
A bar is a place where people hang out and they make bar bets. They make proposition bets like "Can I balance this match on my nose?" They come up with like, weird things to discuss; "Does a—does a machine gun count as a robot?" I mean, this is where—what bars are for. And you got into a discussion, and what was the nature of this discussion?
emily
We were sitting there and a lot of people were saying hello to us that day, so we...
john
By name, it has been established.
crosstalk
Emily: Yeah. John: Yes.
emily
And—[laughs]. We were saying "Man, this feels a lot like Cheers," because in Cheers, it's a place where everybody knows your name. So we decided to have a conversation about "what Cheers character would you be?" and so Aaron asked me, "What Cheers character would you be?"
john
This sounds like a great thing to do with friends. A great game to play. I don't see how it could go wrong. [The litigants laugh.] Aaron, how did it go wrong?
aaron
Well, yeah. Almost immediately. Emily decided that she wanted to me Martin Crane, who is Frasier's dad from the TV show Frasier. [Emily and Jesse laugh.] Who—[laughs]. So I had a bit of a problem with that.
john
Okay. Now, people who are listening who don't understand Canadian— [The litigants laugh.] "I had a bit of a problem with that..." [They laugh again.]
aaron
Yeah.
john
...means that Aaron flipped the table over. Or should have. Why, Aaron?
aaron
The analogy of the bar being our Cheers—Martin Crane being a character that has never been to Cheers? Doesn't work.
john
We will touch on that later. [The litigants laugh.] The point you wish to make for those of you who do not know—and which you are characteristically too polite and roundabout to make... [John pronounces "roundabout" with a stereotypical Canadian accent, "roundaboot." The litigants laugh.] ...is that Martin Crane, the character of Martin Crane who plays Frasier's Crane's dad... on Frasier... [They laugh again.] ...did not originate on the show Cheers. Frasier Crane, the character of the stuffy, uppity, cardigan-wearing Bostonian professor—my role model— [The litigants laugh.]
crosstalk
John: The character. The character, not the actor. Aaron: Uh-huh. Uh-huh. [The litigants and John laugh.]
john
Lot of appreciation, fascination with, sadness for, empathy with... political disagreement with, Kelsey Grammer. Think he's very talented. I'm talking about the character Frasier Crane. Saw a lot of myself in him, growing up in Boston. He... was definitely on Cheers. But Martin Crane, definitely not on Cheers. Emily... you know this. [The litigants laugh.] You know this! To quote Paul F. Tompkins, you know this! That's not a king hat, it's a crown! [Someone laughs quietly.] A crooown! [Jesse and Emily laugh.] Why—what are you doing here, Emily?! First of all, why are you—let's just say for a moment that Martin Crane is on Cheers. Let's just create a fantasy world. Let's step into—through this wardrobe into this Narnia that you've fashioned for us. [The litigants laugh.]
jesse
The _Cheersiverse. [Emily laughs.]_
john
Yeah. The Cheer—[laughs]. The expanded _Cheersiverse, in which Martin Crane is part of this universe. Which I think is the case you're going to try to make, but let's not even try to—let's not even get there yet. That's why I'm getting weird spreadsheets about, you know, the history of retconning and stuff. [The litigants laugh. Aaron sighs.]_
emily
Yeah.
john
A lot of homework came in the evidence, do not appreciate it. [They laugh again.] Tell me, though, why you are Martin Crane.
emily
I feel like I identify with Martin Crane 'cause I think that he's pretty unpretentious. He's down-to-earth. He doesn't want people to fuss over him. And he pretends to be tough but he's actually soft deep down inside, which I feel like is a trait that I share as well.
john
And Aaron, Emily's your best bud. I mean, setting aside this obvious dispute, do you think that her identification with Martin Crane has some... some truth to it?
aaron
Sure, yeah. Yeah. By that criteria, yeah, for sure. [John laughs.] I think—[he and Emily laugh].
john
By that criter—by the criteria of knowing your friend and seeing her and letting her identify herself the way she sees fit?
aaron
Yeah, absolutely that! And also just the things she laid out, I think, are traits that she definitely shares with Martin Crane, yeah.
john
You don't have any beef with her self-identification with Martin Crane—
aaron
No!
john
It is merely this issue of whether Martin Crane belongs in the Cheers 'verse.
aaron
Mm-hm. Yeah. Yeah.
john
Yeah. Right. Mm-hm. Just out of curiosity, Aaron, did you get around to choosing your Cheers character before you stormed out of this place in a huff and set Victoria, British Columbia on fire? [The litigants laugh.]
aaron
Not in that conversation, no. It pretty much begun—like, started and ended with Martin Crane. [Emily laughs quietly.] Nothing else could continue past Martin Crane.
john
Were there other people here? I mean, were—how many people were in this group when this happened?
crosstalk
Aaron: It was just the two of us. Yeah. Yeah. Emily: Yeah. It was just us.
john
So what happened when she said this? Did you walk out on her?
aaron
No, no! I just—I think I just was taken aback and just kind of, like, was like "Absolutely not." [Laughs.]
emily
Yeah—
aaron
I just denied that it—that that was a... acceptable choice. [The litigants laugh.]
john
If she had not totally derailed the conversation with this obviously provocative choice... [Emily laughs.]
aaron
Mm-hm.
john
What Cheers character would you say you relate to?
aaron
I think I also relate to Frasier, in a way.
john
[As a noise of enlightenment/revelation] Ahhh.
aaron
I think I have a bit of that, like—I don't wanna say pretentious, but you know, I like the finer things. [The litigants laugh.] I do actually find myself in situations like, at a bar, listening to people's problems. You know. Trying to help them through stuff. So I feel like I identify with Frasier in that way.
john
Yeah. And here you are, presented with a psychological case that is beyond your understanding. It says here, Aaron, that you work as a freelance software developer. You're 31 years old. You live in Victoria, British Columbia. You love to ride your bike but not so much that you need spandex; fantastic. And you also go by "Sweetie." Is that true?
aaron
[Laughs.] Yes. Yeah.
john
Well, Sweetieee, tell me about all the finer things. [Laughs.]
jesse
Wait, "Sweetie" like you would call a child beauty pageant contestant? [The litigants laugh.] Or "Swee-Dee" with a D, [stifling laughter] like you would call a turn of the 20th century baseball player?
aaron
Oh, wow. Uh, no, it's with a T. It's technically, uh, Lil' Sweetie, L-I-L-apostrophe.
john
Why do they call you Sweetie?
aaron
Short version, friends went on a road trip. They came back as a rap group. I wasn't on the road trip and I wanted to be included.
crosstalk
John: [As a dismayed groan/sigh] Oh. Aaron: And, uh— John: I don't wanna hear—I don't wanna hear about a Canadian road trip fake rap group. [Emily laughs.] Aaron: Yeah. Jesse: Yeah. John: Come on, I wanna like you guys. Jesse: Which of your friends is... Snow? [John and Aaron crack up.]
jesse
Let's take a quick recess. We'll be back in just a moment on the Judge John Hodgman podcast.
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[Three gavel bangs.]
john
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[Three gavel bangs.]
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promo
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[Three gavel bangs.]
jesse
Court is back in session! Let's return to the courtroom for more justice.
john
They made you a honorary member of their fake road trip rap group, and they gave you the name Lil' Sweetie?
aaron
Yeah. My friend actually did it in kind of an ironic meaning.
john
[Faking surprise] Oh, really! [Jesse laughs.]
aaron
Yeah, he thought I was kinda cranky all the time and he called me Lil' Sweetie.
john
Emily, is he a little sweetie?
emily
I think that it's accurate in that he is cranky sometimes. And so it's funny to call him Sweetie. [Laughs.]
john
Emily, if he were a Cheers character, which would he be? And I beg you to choose a Cheers character. Just 'cause I just don't wanna go off on another tangent yet.
emily
I do think that Frasier is an accurate choice for him.
john
And Emily, you work in the tech industry and you play trumpet in a band, and you love reality television. [She laughs.] I love these little bios that I've been getting. This is fantastic. It's like, what a life! What a life up there in—and you're both 31 years old. Just hanging and playing trumpet and giving each other nicknames, and—! You're having a good time! But you're young. How did Cheers come into your life and how long have you been watching it? And what does it mean to you?
emily
I would say that Cheers is relatively new in my life. I've only watched it in the last year, since it came onto, like, TV streaming service here we have called Crave. Which is like Netflix but just different stuff that Netflix doesn't have. So I've been watching it, yeah, in the last year. Yeah! I think, like, my association with it is really kind of... just the good vibes of like, a cool community of people who aren't—who are just like, friends in that space, which is very relatable, like, in the Sherwood kind of space that we spend time in, but also Aaron and I know each other from working at a coffee shop before. We worked together for three years as baristas, and it was a very similar kind of environment, and it was just nice having people kind of roll through that you would see for like brief periods of the day, and sometimes they would come back a couple of times. So I just love that environment, I guess.
john
Would you say that Sherwood has the quality of being sort of a smaller city with a kind of an underdog baseball team, and a weird sort of clash of a long-standing working class culture but also a strong and very snobby university culture? [The litigants and possibly Jesse laugh during the above.]
jesse
Would you say that Wade Boggs ever visit, and does— [Someone muffles laughter.] —visits, and does a surprisingly credible job for a third baseman? [The litigants laugh.]
emily
I think you could say that. [Laughs.]
john
Yeah, would you say that Sherwood might be the provincial capital of a commonwealth in an area commonly known as New England? [More muffled laughter.] [Stifling laughter] In the Northwestern part of the American continent known as Canada? [They laugh harder.]
emily
Yeah. Sure. [Laughs.]
john
Okay. I mean, you've watched Cheers. Have you watched Frasier? You had to have! Or else you wouldn't have come up with this calumny.
emily
Right. Sweetie has watched more Frasier than I have. I think he claims that he's seen every single episode of Frasier. I have not seen every single episode Frasier, but I've seen... [laughing] many episodes.
john
Enough to know that you feel like Martin Crane.
emily
Yes.
john
The great character actor John Mahoney. Well, there is someone who has seen—I dare say—every episode of Frasier. She is our expert witness to help cast some light on this case. She hosts a Frasier podcast; it is the popular podcast called I'm Listening: A Frasier Podcast with name-of-the-host—I'm about to say it—I really enjoy her; I loved being on the podcast. It's in its third season, and the host of that podcast is named Anita Flores! Anita, how are you?
anita flores
I'm good! I'm honored to be here as your expert.
john
So Anita, you host a podcast that is all about Frasier? Tell me about it. I'm listening.
anita
[Laughs.] It is all about Frasier. However, not an episode-by-episode podcast. It could be a whole episode about—and there has been an entire episode about—best episodes of Frasier that take place at dinner parties. But then separately, I did an episode where I reviewed Kelsey Grammer's autobiography, So Far.... And I had somebody named Dan Chamberlain, who's very—a talented writer and comedian, pretend to be Kelsey Grammer and read my—the—my favorite excerpts from So Far..., and then I went through them passage by passage.
john
He was on the show that I was on, right? He's the Frasier impersonator?
anita
That's correct, yes.
crosstalk
[Multiple people laugh quietly.] John: It's—incredible job. Does an incredible job. Like, I—[appreciative noise]. Anita: He does an in—absolutely. Absolutely incredible job.
anita
And then more in the future, in this season of my podcast, I'm doing an episode where—in my apartment, that I already recorded with my oldest friend, who's a Frasier fan. We get drunk off of sherry and eat tossed salad and scrambled eggs, [laughing] and then talk about the origins of the song "Tossed Salad and Scrambled Eggs." So it's really— [Multiple people laugh.]
john
It's themed; it's themed to Frasier.
anita
Sure!
john
It is—
anita
But there's no true rules other than there's—there's just gotta be something about the show or somebody in Frasier. I'm gonna do an episode best of Eddie episodes, that's coming, but— [Emily laughs.]
john
Yeah.
anita
—[stifling laughter] I need to find—I need to find, like, a real Eddie fan.
john
So Anita, people who wish to find you and find your podcast, they can find you on Twitter very easily. You are @anitajewtina, A-N-I-T-A, J-E-W-T-I-N-A, because—in part; you are a whole human being with a whole life to you, but—you are Jewish and Latinx, correct?
anita
That's correct! And so Jewtina rhymes with my na—no it doesn't. [Laughs.]
crosstalk
John: [Laughs.] It's pretty close! [Someone laughs.] Anita: [Laughing] I was gonna say Anita rhymes with my name; no it doesn't.
anita
But the—you know, almost. It's got a ring to it, and nobody else I know online is—has a handle Anita Jewtina.
john
But I asked you this when I was on the show. Like, you know, when Frasier came on television there was a lot for me to look at and relate to as a straight white male, Ivy League–educated, who lived in Boston for a period of time. What did this show, about this effete snob in Seattle who interacted only with white people—how did that speak to you growing up?
anita
I did grow up in Connecticut during my formative years, so there's my first connection, all the white people. [John and/or Jesse laughs quietly.] Uh—[laughs].
john
Uh-huh.
anita
And then separately from that, more recently I would say it is a fun show to watch to—that doesn't really make me stressed out. I'd say it's a very relaxing show, that in a way I like because I can't relate to it. Except for the weird stuff, like just the fact that I'm really into Frasier, which already weirds some people out, and then it makes me just— [John laughs.] You know, it makes me feel like I can relate to Frasier and Niles, [stifles laughter] who people think are weird and, you know, speak with a weird Transatlantic accent. Yeah.
jesse
You know, John, the person in my life who loves Frasier the most is a woman who, with her family, was a refugee from Peru and grew up, like... grew up, you know, as an actual refugee in the United States, and living largely in motels for a big chunk of her life. And the reason she loves Frasier so much is that very same thing that because of its nature—not just as a sitcom, but sitcom that's like, not that zany or like, crazy—because it has such a gentle tone, it was the thing that she—and remains, actually—the thing that she used to fall asleep. It was—it—
john
Yeah!
jesse
It's like the thing that comforted her.
anita
I must ask you—you must connect me to her. I—I am Peruvian; [stifles laughter] my dad is from Peru. I actually—I'm doing an episode of my podcast called "Frasier Fans Around the World," and I just went to Mexico on vacation and I met my first Spanish-speaking Native Oaxacan friend named Armando, who I'm going to have on my podcast on that episode, and we're gonna talk about why he loves Frasier. But, [stifles laughter] uh, that would be a dream to meet somebody from the country that my dad is from who also loves Frasier.
jesse
[With false authority] I mean, Frasier is a typical Oaxacan thing! Like— [Anita and multiple people laugh.] Like chapulines or eating grasshoppers, or, uh, or moles, you know?
crosstalk
Anita: That's right. [Laughs quietly.] John: Yeah! No, I think you put it—
john
You both put it very well, which is that, you know, while Cheers is comforting because it reminds you of community, Frasier is comforting in its own way because it is—its tone is gentle. It is almost like, outside of its specific reference to Seattle or whatever else, this is like this pure gentle comedy of manners that is kind of like, you know, family dynamics that are pretty universal and it is just, like, comedy created in a lab to be perfect. There is just something very charming and lovely about it, and I really enjoy the podcast. So everyone should go follow Anita at @anitajewtina and listen to the podcast. But meanwhile, Anita, you've been listening to our two litigants, and I wonder if you have some observations. I mean, you have seen every episode of Frasier, have you not?
anita
I absolutely have, yes.
john
And with regard to Cheers, uh, have you dipped into every season? You know more or less the storyline? Or have you seen every episode of that show as well?
anita
I know the storyline. [Stifling laughter] But I definitely have not seen nearly as many episode of Cheers as I have of Frasier.
john
That's fine. There are a whole bunch of 'em, right?
jesse
They're all about the same. [Laughs.] [Multiple people laugh.]
john
Yeah!
jesse
[Stifling laughter] It's the nature of the sitcom.
john
That's the nature of the sitcom; that's what makes having a show in a bar frequented by regulars so comforting, is like, that's what it feels like to be able to go into the Sherwood Cafe & Pub and see Lil' Sweetie there— [Someone snorts.] —and be like "Lil' Sweetieeee!" [Multiple people laugh.] But Anita, would you agree with me that the case has not yet been made that Martin Crane—one of the great characters in all of sitcoms—is a character from Cheers?
anita
I think I would agree that the case has not been made. I mean, I have some notes. But, uh—
john
Please!
anita
[Laughing] Okay.
john
Share your notes with us, won't you?
anita
So here are the notes. Essentially, you know, I'm definitely a TV nerd, not just about Frasier. And I love the idea of worlds colliding. You know, any time there's talk of The Good Place being connected to Parks and Rec, etc. Now, in the case of Martin Crane, I have definitely watched episodes of Cheers that are connected to Frasier's storyline. So I watched the episode that John Mahoney is on of Cheers.
crosstalk
John: Oooh. Anita: And his character in Cheers, who has a one-episode arc, is named Sy Flembeck.
anita
"Sy" spelled S-Y. And he plays an executive for an ad agency who creates jingles.
john
So you're saying John Mahoney before Frasier did a guest spot on Cheers as a different character. Do I understand that correctly?
anita
That is correct, yes.
crosstalk
John: Mmm! Jesse: During the Diane years! [Beat.] [Multiple people laugh.]
anita
It was actually during the Kirstie Alley years, yes.
jesse
Oh, I guess that's just a different—oh, that's Kirstie Alley in profile. She just had a lot of, uh, light on the back of her head. [Multiple people laugh.]
anita
Yeah, so he—and you know, spoiler alert—he claims to be this great, you know, jingle guy. And it turns out he just rips off already well-known songs and then changes the words to match.
crosstalk
John: Like "Albaniaaa, Albaniaaa—" [Someone laughs quietly.] Anita: Yes. Exactly. [John and/or Aaron laughs.]
anita
Now, here is my biggest qualm. In this episode there is a very brief exchange between Frasier and Sy. It's very brief. But separately, there are episodes of Frasier in which Martin Crane's musical talent is focused on. There is an entire episode where he writes a jingle— [John gasps.] —and sends it to Frank Sinatra. [Someone snorts, someone else laughs quietly.] [Stifling laughter] Because he wants to see if Frank Sinatra will sing it. And he—it's called "Groovy Lady." [Laughing] That's the song he writes. [Emily and John crack up.] Okay? Separately—separately, there's an episode of Frasier where Frasier has to write a jingle for his radio show. His father comes up with a great original jingle that he does not use. [Laughing] The point is, with—with—with— [Someone snorts, Emily laughs.]
crosstalk
John: So you're saying... Anita: I—[laughs]. John: ...that John Mahoney's character Sy Flembeck... Anita: Yes. John: ...was actually Martin Crane in disguise; [stifling laughter] Frasier didn't recognize him. [Multiple people laugh.]
anita
Absolutely not! I am saying—[stifles laughter] that for the purposes of personality and musical talent, these two characters are two different characters.
crosstalk
John: Oh, I see. Anita: As in Martin Crane, also a very nice and genuine guy.
anita
Sy is a bit of a scam artist, [stifling laughter] and not a talented jingle writer. And for those reasons, I would say they are in two different universes.
john
Definitely. So the John Mahoney in Cheers is different from John Mahoney in Frasier. And indeed, and I'm sure that—well, I know that this was brought up in some of the evidence—Frasier in Cheers, before Frasier was a TV show, Frasier the character described his father very differently from Martin Crane! Tell me about that, Anita. [Anita laughs quietly.] What did your research turn up there?
crosstalk
Anita: [Stifling laughter] My research on Wikipedia.com, uh, turned up— [Emily laughs quietly.] John: Yeah. That's all—that's where I go, too.
anita
[Laughs.] Frasier, when speaking about his father on Cheers, said that his dad was dead, and that he was a former research scientist. Now, on the show Frasier, they do bring that up and reference it, in front of Martin. And you know, I think it's when Woody comes to town. It's either Woody or Sam Malone come and visit Frasier, and one of them says "Oh, you said your dad was dead," and yeah, and Martin's mad. So they do recognize that there is a weird crossover there, and that part is confusing.
jesse
They repair the continuity.
anita
Yes, he has a very different profession in Cheers. Not a cop. Yes.
john
Yeah. In Cheers he's referenced as being a research scientist who—that Frasier could never please, and he was—and quote, I'm getting this from the homework evidence Emily sent in. I think this was you, Emily, who sent this is in, right?
emily
Yep. That's right.
john
Right, this piece of dialogue. "He died before I had a chance to realize he was right, and I never got to tell him. It's funny, isn't it?" And Woody goes, "Yeah, that's a good one alright, Dr. Crane." [Laughs.] [Multiple people laugh.]
jesse
John, I think you've just unlocked a whole new career path for yourself. You've been playing all these smarty mustache creeps, and you should be playing Indiana dummies! [John and Emily or Anita laugh.]
john
Should I? Oh, boy, oh boy. [He and Emily laugh.] I'll do anything to be on Cheers, you guys. [Emily laughs.] Or Fra—like, what I was to—I'll save this for the verdict. I'll save it for the verdict! [Someone snorts. Emily laughs.] I just have a whole—I have a whole feel about it! [Emily laughs.]
jesse
John, all I want in the world is to be Paul on Cheers.
crosstalk
John: Yeahhh! Background character! Jesse: Just the guy that they use when they need to throw—they've got a line that they need to have, but a few too many characters are off screen at that moment. They need somebody at the bar to say something. That's what I wanna be. The rest of the time—[laughs]. John: Like "Yeah, Sam! Why aren't we doing this?"
jesse
[Stifling laughter] The rest of the time I'm just sitting there, possibly drinking a real beer. [Multiple people laugh.] Just hanging out.
john
[Laughs/sighs.] So people who don't know, like, there are many famous characters on Cheers! You got Sam, you got Diane, you got Coach, you got Woody. [Deep breath.] You got Cliff, you got Norm, uh, you got, uh, who am I missing? A big one.
crosstalk
Jesse: You got Frasier. [Laughing] You got— [Aaron and Emily and/or Anita laugh.] John: Frasier. Frasier. Right.
jesse
Lilith.
john
Lilith. Main ch—Carla, obviously. Very briefly Eddie.
jesse
Yeah. Diane.
john
Right. But there was this guy named Paul, who just kinda like... hung around in the background in almost every episode, and only every now and then had a line. And when I learned that he had a name, I was like—my world was shattered. [Jesse laughs.] Like, when they said "Hey, let's get Paul!" I'm like, "Who's Paul—oh, that's Paul?!" [Laughs.] "Why are you hanging around with that guy?"
jesse
[Through laughter] He has a different name in one episode. [Multiple people laugh.] [Through laughter] I think just like, they just forgot was his name was or something.
john
So Emily, what Anita and Jesse have brought up actually brings, frustratingly, some possibility of arguing that you're not wrong. Insofar as we have John Mahoney playing different characters in the legit _Cheers_iverse and the expanded _Cheers_iverse. We have Frasier Crane himself, obviously speaking the initial story of his father, written by the writers of Cheers that was then changed, or as you will explain to the audience retconned later after they decided to give him a dad who is completely different than the one they established in the _Cheers_iverse. Television is a kind of a messy thing, and sitcoms are written and created on the fly. Changes happen. How does this messiness enhance your argument that you can be that famous character from Cheers, Martin Crane?
emily
Yeah. So I included in my evidence a reference to retroactive continuity, which I believe they're using in this case. In the episode of Cheers where he references—where Frasier references his dad being dead, they later explain in Frasier—to Sam, I believe, who comes to visit, who brings up and says "I thought your dad was dead." He uses it to explain that they were not on speaking terms at the time, so he used that in conversation at the bar. And then that's kind of how they explain it in Frasier. So I included that in my evidence because I believe it backs up my argument, [laughs] that they are in the same universe. And that's also what they use to explain why John Mahoney played a different character in Cheers.
john
Oh, did they explain that?
crosstalk
Emily: Ah, well, no— John: Or did they just let it be?
emily
No, they just—yeah, they just let it be. But that's—retcon is—
john
As one of the most famously messy television shows of all time— [Emily laughs.] —The Leftovers would say, "Let the mystery be."
emily
Yeah.
john
Aaron, what do you think about this retroactive continuity argument?
aaron
Well, I don't really have a problem with Martin being in the expanded Cheers universe. That's, like—
john
Okay, great! Let's go home! [The litigants laugh.] Sorry! Sorry, I thought we had a podcast! Sorry, Jesse, I apologize. Can we erase the tape? Can we erase the tape and re-use it? Great. Thank you.
jesse
[Stifling laughter] I already canceled the podcast. [The litigants laugh.]
john
[Through laughter] Oh, hooray!
jesse
Yeah. [John's and the litigants' laughter runs its course.]
aaron
I think the real issue for me is that it's... which Emily actually brought up, is that Frasier and Martin weren't on speaking terms during the Cheers years. So to me, that means that Martin would never have set foot in the bar Cheers. And that defeats the whole purpose of our analogy, of being like, if this is our Cheers, this bar is our Cheers, this place we like to hang out, this is where our friends are. You know, everyone knows our name. They're not gonna know Martin's name.
john
But how do you respond to this? Since—do you include this in your homework evidence, Emily? The episode "Cheerful Goodbyes"?
emily
I would say that in—if I recall correctly, there is an episode in Frasier where they visit Boston, and they do attempt to go to Cheers, but the bar happens to be closed that day because Sam's hosting a private event for his baseball team. [Someone snorts.] So I think that— [John snorts.] —it still counts, because he made the effort to go there. And I do think that in this universe, it seems like the kind of bar that Martin would hang out at anyway. Like, it—
john
Stand by for a moment, before you make your specious speculations. [Multiple people laugh quietly, including Emily.]
emily
Okay.
john
Because I thought that this was established. Anita, of the I'm Listening podcast, "Cheerful Goodbyes." I've not seen this episode of Frasier. Have you? Season nine.
anita
I have. I will be honest, [stifling laughter] I tend to drop off more after season seven.
crosstalk
John: [Stifles laughter.] Sure. Anita: Given certain romantic events.
anita
I don't wanna ruin—[laughing] or maybe should I say? I don't—I'm talking as if I don't—I don't wanna spoil it for anyone. [Multiple people laugh.] But yes, I have seen the episode.
john
Does Emily describe it faithfully? Do they get into Cheers or not?
anita
They do not. They end up all meeting at the airport, and like, I will be honest, it's a bit fuzzy for me. But I believe they're drinking at the airport, and they basically try and like, re-create and do like a little homage to Cheers at the airport.
jesse
It's the airport from Wings, right? [Multiple people laugh.]
john
Right, that was set innn Nantucket, I believe. That was a Massachusetts airport. There was—when I was growing up—in Logan Airport, a fake Cheers in the airport. With a fake Cliff and Norm sitting at the bar. [Multiple people laugh.] If they had done that... [More laughter.] That would have been so—I mean, this episode came out 2002, it's season nine of Frasier when they go. That would have been right in the heart of meta TV. But based on my wiki that I'm looking at right now, John Mahoney does go and meet Carla and Cliff and Norm. And Paul! Paul's there, too! Paul's everywhere! [Someone snorts, Anita and Emily laugh quietly.] Just because they did not set foot into Cheers, Aaron, I do not see why that does not place John Mahoney's Martin Crane firmly in the _Cheers_iverse.
aaron
I think my main sticking point here is that the reason that we refer to Sherwood as our Cheers is because, you know, one, we're there all the time, like many of the Cheers regulars. We've made friends with the staff. We are definitely regulars. And I don't think you can say that Martin Crane is a regular at Cheers. He doesn't—he may exist in the universe, but he doesn't participate in the bar in the same way that we participate in the bar Sherwood.
john
For a moment I thought you were doing this incredible thing here, Sweetie. [Multiple people laugh.] I thought you were taking this whole discussion which had been up, up in the air, of pure metacultural commentary, and you were like "Let me bring this back home... to Sherwood." [The litigants laugh.] "Let me explain—let me explain to you the feelings I have when my friend says she is Martin Crane. Let me explain to you what it's like in our real world." I thought that's where you were going, but instead you were like, [pretentiously] "Technically she broke the rules." [Laughs.] [The litigants laugh harder.] [Still pretentiously] "Because even if it could be established that Martin Crane was part of the _Cheers_iverse, he was not a regular, and the premise was 'which regular of Cheers—which regular cast member of Cheers would you be?'" [Dropping the tone] Is that pretty typical of Aaron, Emily? Is he a rules follower?
emily
Yes, actually. I submitted another piece of evidence that supports this exact kind of argument, in that he's a rules follower. There's a screenshot of a text messages that were exchanged between Sweetie and I where I was explaining to him that I have a foot injury and I am on a waitlist to get an MRI. And there's kind of—
john
Right. I have the text message in front of me. Do you have it in front of you?
emily
I do, but you can read it if you'd like. [Laughs.]
john
Please, I will perform this scene with you. [Someone laughs quietly.]
emily
Oh, okay. [Laughs.]
john
In this scene, you shall assay the role of you, and I shall assay the role of Lil' Sweetie. Start with the text that ends "orthopedic surgeon," please.
emily
"Yeah, so I'm on the waitlist and I have to go visit an orthopedic surgeon."
john
[John's portrayal of Aaron is dramatically deep-voiced and self-important.] "Whoa! Getting an MRI is kind of cool."
emily
"Yeah, slide me into that laser chamber!"
john
"It's magnets, but, uh... yeah."
emily
"Who cares? I'm gonna come out radioactive. I wonder what my superpower will be."
john
"MRIs don't use radiation." [Stifles laughter.]
emily
"I know that."
john
[Defensively] "Okay."
emily
[Stifling laughter] "God, stop correcting me!"
john
"Fine!" [He and Emily laugh.] End scene. [More laughter.] I don't know what voice I was doing there. Anita, your friend—who's the name of your friend who does the great Kelsey Grammer impersonation?
anita
Dan Chamberlain.
john
I'm no Dan Chamberlain. I did a pretty good Niles Crane on your show. And then I was like, failing—look, it was terrible. My—and I wasn't even doing the mocking version of Lil' Sweetie that I was doing before. There was no consistency in my performance, but I think the point was made. [He and others are laughing.] Aaron, you're a stickler for the rules.
aaron
Yeah. I would like to say that I'm practical. [Beat. Two people burst into quiet laughter.]
anita
Can I add something?
john
Please.
anita
I won't use his last name, [stifling laughter] but let's just say that I recently got into an online fight with somebody in a Frasier fan club named Galileo. [John snorts.] And—[laughing] just so you know how I spend my free time. [Someone laughs.] And I will be honest. I'm starting to be more open to Emily's point of view, mostly because I'm being reminded of the fight I got in with Galileo. And it was over a separate issue, but he too was a stickler for the rules, and I would like to say that I am an open-minded person. Therefore, I feel as if the more I think about Martin Crane, the more I like the idea that his character would hang out at Cheers, because there is a bar that he frequents throughout Frasier that is his Cheers.
john
Duke's!
anita
Duke's, exactly. I like the idea of breaking down some of these barriers. [Laughing] These— [Multiple people laugh.] [Laughing] These barriers of—of this universe that exists. And I don't wanna be as closed-minded as Galileo and—no offense to Sweetie, I'm starting to side with Emily right now. [Emily laughs.] 'Cause I like the idea of Martin Crane in another life hanging out with everyone from Cheers.
john
With all due respect to the person who named this case, can we change this to, uh, "No Offense to Little Sweetie"? [Multiple people laugh, including Lil' Sweetie.] I think I've heard everything that I can possibly hear on this subject. I'm about ready to make my verdict, but Jesse Thorn, you came into this hot! You were like, ready for a fight. You did not believe that Martin Crane belonged in the _Cheers_iverse, if I understood your position correctly. How has your opinion changed or stayed the same?
jesse
I have strong opinions about every piece of this, John. I am a very deep Cheers partisan in the imagined war that I have imagined between Cheers partisans and Frasier partisans. I think it's because I have deep emotional connections to Cheers from watching it on our ten-inch black and white television with my dad after school, in our apartment that we shared in which we did not have beds. [Laughs.] [Anita or Emily laughs quietly.]
john
Yeah...
jesse
[Stifling laughter] We didn't—we literally didn't have beds, we just had like, blankets on the floor. And I think also that as wonderful as Frasier is, I think that during its time in the sun, I resented it because it would always win all of the awards because its trappings of fanciness would lead people to think of it as like, an intellectual show, when in fact it was just a very well-executed regular sitcom. And in the world of very well-executed regular sitcoms, there can be no king other than Cheers.
john
Mm-hm!
jesse
And I also have deep and passionate feelings about all the many Cheers characters that could have been chosen, given the opportunity to choose between all of the characters in Cheers! I mean, the remarkable thing about Cheers—above all else—is that there are so many main characters, and that each and every one of them is perfectly portrayed. Both by a brilliant writing staff over many years, and by an even more brilliant cast. There are so many choices, and if you wanna say that your favorite Cheers character is Paul, as I just did, or you wanna say it's Harry Anderson, or you wanna say it's Dan Hedaya, or whatever... I think that's great! This is a bridge too far. From my perspective. I think it is a disrespect. I think it is a thumb in the nose—or a thumb in the eye or whatever the expression is—to Cheers, that you would choose a Frasier character as the best character from Cheers.
john
Well! [Emily laughs.] Since we understand the stakes are extremely high... I wanna ask Aaron. Aaron, these stakes are extremely low. Who cares? [Someone snorts. Emily laughs.] Why does it matter to you? Why does it damage you for Emily to make this claim?
aaron
I think ultimately—like a lot of disagreements that Emily and I get into from time to time about this level of, you know, importance—a lot of it is just about being right. [Laughs.] I know that ultimately this won't make a big difference in our friendship, whichever the way this goes, but—
john
You're saying that it's important to you to be right?
aaron
Yes.
john
When you know you're right and the other person can't accept it, that is distracting to you?
aaron
Yeah. I think that's fair to say.
john
Great! Thank you, by the way, for finding the crux. [The litigants laugh.] And revealing the deeper emotional undercurrent behind this dispute. It is the trademark of the Judge John Hodgman podcast. [Aaron or Jesse laughs.] I basically had blown it off for the past hour, 'cause I just like talking about television, too. [Laughs.]
aaron
Mm-hm. Mm-hm.
john
So I appreciate your keeping me on brand— [He and the litigants laugh.] —while you were also trying to protect the brand of Cheers. If I were to rule in your favor, Aaron, what would you have me rule?
aaron
I would want Emily to pick a Cheers character. And say definitively that she is that Cheers character. I think we originally set out that we would—whoever wins buys the other a drink. [Laughs.]
john
Without saying it, do you have a character in mind?
aaron
Yeah, I do.
john
Don't say it. Emily, if I were to rule in your favor how would you want me to rule?
emily
I would want you to rule that Sweetie has to allow me to identify with Martin Crane because they are in the same universe, and he would have to buy me the drink at the bar. But also to be a little bit more... open-minded and accepting of my playful, creative brain. [Laughs quietly.]
john
Yeah! Okay. And just—and this is truly speculative and hypothetical. If I were to rule in Aaron's favor and compel you, under order of fake Internet court... [Emily laughs.] ...to name a main recurring character of Cheers—and you know who I'm talking about. All of our friends in the Cheers— [She laughs again.] In Cheers.
emily
Mm-hm.
john
To identify with. Do you have someone in mind?
emily
Yes.
john
Okay. So hold on that while I go into Sam's office— [Emily laughs quietly.] —and think this over a little bit more, and I'll be back in a moment with my decision.
sound effect
[As Jesse speaks below: Door opens, chairs scrape, footsteps.]
jesse
Please rise as Judge John Hodgman exits the courtroom.
sound effect
[Door shuts.]
jesse
Emily, how are you feeling?
emily
I'm feeling pretty confident, to be honest. I didn't feel confident coming into it, but I think the evidence kind of speaks in my favor. So I feel pretty good. [Laughs.]
jesse
Did you not feel confident going into it because you knew your argument was almost entirely specious? [Emily and Jesse or Aaron laugh.]
emily
No, I would say more just that I felt nervous and that I wouldn't be able to speak to my case. But I think the evidence speaks for itself, so—[laughs].
jesse
Lil' Sweetums brand tangerines— [The litigants laugh.] —how do you feel about your chance in the case?
aaron
Uh—[sighs]. I am almost the opposite. I came in feeling quite confident, and now seeing the direction it's taken, I'm unsure now what way it's gonna go.
jesse
How do you feel about the fact that, frankly, [stifling laughter] my future participation in this podcast may hinge on the results? [The litigants laugh.]
aaron
I hope for both of our sakes, then, that it's in my favor. [Aaron and Emily laugh.]
jesse
I hope you didn't mess this up for everybody, Aaron. [Emily laughs.]
aaron
[Wincing inhale.] Ooh, sorry, Jesse. [Emily laughs.]
jesse
We'll see what Judge John Hodgman has to say when we come back in just a second.
sound effect
[Three gavel bangs.]
john
Hey again, it is me, Judge John Hodgman. Bailiff Jesse Thorn has stepped out for a moment to get some air. I'm here alone in my chambers, just thinking to myself about some of the fun things that are coming up in my life. Thinking about what I might have for dinner. Thinking about what I might wear tomorrow. I'm also thinking about... January 2020! When Judge John Hodgman: Live Justice takes to the road again! Yeah, we've added new shows! We're gonna go to Brooklyn, New York, at the Murmur Theatre on January 13th! And then the very next day we're taking the train to Boston, returning to the Wilbur Theatre on January 14th. These are gonna be two great shows. They're gonna sell out really quickly. So I hope that you go to the MaximumFun.org events page right now—or JohnHodgman.com/tour; it doesn't matter to me—and find the details and get your tickets right away. You know, we love doing these shows, but I have to say, it's better when you're there. So check 'em out! Brooklyn, Boston, Judge John Hodgman. Alright. Let's get back to the case.
sound effect
[Three gavel bangs.]
sound effect
[As Jesse speaks below: Door opens, chairs scrape on the floor, footsteps.]
jesse
Please rise as Judge John Hodgman re-enters the courtroom and presents his verdict.
sound effect
[Door shuts.]
john
So you know, I grew up watching Cheers, and I grew up in Brookline, Massachusetts, a region of... British Columbia. It's a—I'm not sure if you know that, Jesse. It's part of the western part of Canada. [The litigants laugh quietly.] I loved watching Cheers with my family. I loved that my family in Philadelphia loved watching Cheers. I realized that it wasn't just a Boston thing. [Stifling laughter] Two Northeastern cities could relate to it. Maybe it was even more universal to see these friends from different walks of life coming together and being in a place where they could make fun of each other and comfortably live together. They had more alike than they had, uh, different, [laughs] that's for sure. You just look at that show now; you're like, "Wooow, how is it possible they got away with that particular Caucasian cast?" But it still, like Frasier itself, presents a kind of universal humanity that people can really attach to. And I thought got something really right about Boston: that Boston is this—it's a fairly sizable town that imagines itself a city, but is densely occupied by this long tradition of working-class people and this long tradition of snooty, upperclass people. Two worlds that I kind of grew up between, with my—my being a really snooty upperclass person, and my parents being the first in their families to go to college, and my grandparents being working-class people. So it was very meaningful to me. But all of that meant nothing until—I mean it meant something, but it didn't really click in until the show was ending and I watched the cast, who had, you know, lived and worked together essentially for—you know, a decade or however long it was. And just how much fun they had with each other. And for me, I was like "If I ever have a job, that would be the greatest job to have. To just be working with people who really inspire and delight you, and you get to be with them all the time."
john
And I despaired, 'cause even though I liked my job at—literary agency at the time, I didn't have that. And I thought I would never have it. And then very unexpectedly, I did have it in two ways, both at The Daily Show and the Apple ads. I was on television, and doing the job that I loved the most with people who constantly made me laugh and inspired me. I felt so—of the many—I often feel like—I got lucky 'cause I got to have a Cheers job. Honestly, if I think of who I would be in that bar, if I had to pick my own person, I kinda feel like Paul! Like, I feel like I'm just happy to be there. [Laughs.] You know? Like, I don't need to be a main character. As in my entire career, I just felt lucky to be there, and I felt happy that I could just throw in a line or two. In part because I just felt so lucky to be there, and part because I don't like working that hard. And indeed, that's what I got to do on lots of different shows! Like Bored to Death, where I worked with Ted Danson! I got to do it! I got to be on the—I worked in—at the old town bar with Ted Danson! In New York City, a bar that I used to go to as—! Oh, forget it, it's just too—means too much to me. I feel so happy that I got to have been a Paul. A fly on the barstool of this experience. [Quietly, rapidly] And you can read all about it in Medallion Status, a new book by me, John Hodgman. [Normal volume/speed] So. Here are my rulings, having listened to Anita Flores, host of I'm Listening : A Frasier Podcast. Having listened to my bailiff, Jesse Thorn. Having listened to our litigants, Aaron and Emily, and their own arguments. Having looked into my own expertise as obviously, uh, by extension, a—obvious member of the _Cheersiverse. [Laughs.] I worked with Ted Danson. Right? That's gotta count. [Multiple people laugh.]_
john
I worked with Bebe Neuwirth. I sat on a—different situation, I sat on a barstool next to George Wendt! [Stifles laughter.] At a charity event! At a bar, I sat next to him! In the Clavin position! [A couple people laugh quietly.] I didn't say anything, 'cause that poor guy can't sit at any bar without ever getting it, you know? And I can say this. Martin Crane is in the _Cheersiverse. Sorry, Jesse. It's obvious. [Someone, presumably Jesse, inhales and exhales deeply.]_ It was established by retroactive continuity by the writers of Frasier. It was established by the fact that he—that character went to Boston to go to Cheers. He entered the _Cheers_iverse at the end of Frasier. Even though that retroactive continuity is somewhat inelegant and unbelievable, that is an established way of shoehorning characters into existing properties, and every—you know. I—you can't read comic books without believing in retcons. Anita so expertly pointed out the messiness of how character actors appear in one thing and the other, and there aren't strict lines between it. We also know that the cast of St. Elsewhere visited Cheers, and everything exists in the Tommy Westphall-iverse. Look it up on the Internet. [Emily or Anita laughs quietly.] And most of all I know this because I texted someone during the course of this podcast. I didn't know if I would hear anything back. But I texted someone I know and I said "I have a question. Someone on my podcast is maintaining that Martin Crane counts as a Cheers character. Do you have an opinion on this?" And this person wrote back, "I agree. I just watched the clip of his episode. How wonderful he is on the show." That person was Ted Danson.
jesse
[Distraught, gurgling scream.]
crosstalk
[Anita and Emily gasp and laugh.] Emily: Yes! [John laughs quietly. Emily or Anita laughs at full volume.]
jesse
[Shrilly] I am appealing to Steenburgen! [Laughter continues. Not from Jesse, though...]
john
So, I mean, honestly Ted's answer was a little bit... not... clear. [Laughs.] [Multiple people laugh.] I asked "Do you have an opinion on this" and he said "I agree." [Laughs.] [Multiple people laugh.] That's kinda having it both ways. Not really clear what episode it was he was watching. [Laughs.] [Emily or Anita laughs.] But I think all signs point to yes, that you can say that Martin Crane is a member of the _Cheersiverse. So if that is what you are asking me to rule, then I have to rule in Emily's favor. However, I will also say... that Aaron, you're not a Frasier Crane. [Emily laughs.]_ Because Frasier Crane could deal with ambiguity. Frasier Crane had been so tortured in life, and had caused so much emotional damage and had so much more visited back upon him, that the reason Frasier Crane is the star of the show is that his belief in order and rules has been already shaken to a degree that he's able to surrender from time to time to chaos. You know who isn't? Niles.
crosstalk
[Emily laughs for several seconds as John elaborates.] John: Niles would be the one saying— Aaron: Yeah... John: "Well, Frasier, you didn't properly follow the rules!" [Emily is still laughing.]
john
[Stifling laughter] So what's weird is... that you're not a part of the _Cheers_iverse, either. Or at least, your identification is more in the Frasier universe, just like your friend Emily. [The litigants laugh.] Emily, you didn't follow the rules. You broke the rules, and I like that! I like your creative thinking! I think Aaron should appreciate that about you.
emily
Thank you.
john
But just as a thought experiment, let's all say who we think Emily is in the _Cheersiverse. In the main cast. [The litigants laugh.] We'll say it on three, all three of us. [They laugh again.]_ You ready? This is not binding.
emily
Yeah.
john
I'm gonna—I'm gonna say "One, two, three," and after three we all say the—our characters that we think. This is an homage to the Doughboys; they're part of the Judge John Hodgman-iverse.
crosstalk
John: One, two, three: Carla. Aaron & Emily: Norm. [Emily laughs.]
john
I guess the Norms have it. This is the sound of a gavel.
sound effect
[A drink is popped open and poured into a glass.]
john
Judge John Hodgman rules; that is all.
sound effect
[As Jesse speaks below: Door opens, chairs scrape, footsteps.]
jesse
Please rise as Judge John Hodgman exits the courtroom. [Sighs.]
sound effect
[Door shuts.]
jesse
It is with a heavy heart... [Emily laughs.] ...Aaron and Emily, that my—I submit my resignation. [The litigants laugh.] As bailiff on the Judge John Hodgman podcast. [Stifling laughter] Having disrespected the memory of my still-living father— [The litigants laugh; Jesse pulls it together and speaks solemnly.] —and our apartment on Godia Street that didn't have beds, I must separate myself here and forever from Judge John Hodgman. [Someone snorts.] That said, I've got a few things to handle here.
john
Hey, everyone! Please welcome our new bailiff, Kirstie Alley! [Multiple people laugh.]
jesse
Aaron, how do you feel?
aaron
Not great, Jesse. But I can handle it. It's okay. I feel like I'm not the pedantic jerk that I may have come across as. [Aaron and Emily laugh.] But I can accept this ruling, and I will abide by it.
jesse
Yeah, yeah, yeah. Tell it to my new boss, Judge Mary Steenburgen. [The litigants laugh.] Emily, how do you feel?
emily
I feel amazing. [Stifling laughter] I feel on top of the world. Um... [Jesse laughs.] I feel great. [Laughs.]
jesse
[Laughs; recovers.] Looking down on creation, huh?
emily
Mm-hm. Mm-hm. [Aaron or Jesse laughs.] Um, but I'm sorry for the loss of your job. [Laughs.]
jesse
It's okay. Thank you for apologizing to me in that funny Canadian way. [The litigants laugh.] Aaron, Emily, thank you for joining us on the Judge John Hodgman podcast.
sound effect
[Three gavel bangs.]
promo
Music: Upbeat, simple electronic music. Janet Varney: Hey! I'm Janet Varney, and like many of you—some more recent than others—I used to be a teenager. In fact, just about all of my friends were, too! Including wonderful women like Alison Brie. [Into interview.] Alison Brie: I'm dead center on the balance beam. And this is like, a big gym. All the kids' parents are there watching. I have to stop, like, you know when you have to pee so bad and you can't even move? [Janet makes a sympathetic sound.] And then I just go. I just pee right in the middle of the high balance beam. [Laughing] And— Janet: Ohhh nooo! [Laughs.] [Out of interview.] Janet: So join me every week on the JV Club podcast where I speak with complicated, funny, messy humans as we reminisce about our adolescences and how they led us to becoming who we are. Find it every Thursday on Maximum Fun. [Music fades.]
sound effect
[Three gavel bangs.]
jesse
Another Judge John Hodgman case in the books. In a moment we'll have Swift Justice. First, our thanks to Anita Flores. Everybody should check out her podcast. Anita, you also have a show coming up in New York, right?
anita
Yes, I do! It's called Party of Two. It's at the Pleasure Chest. Uh, [laughs] I know this is a family friendly show. It's a—it's a sexy shop. Let's just put it that way. It's comedians and storytellers talking about the absurdity of dating in New York. So that show is on November 16th at 7:30 PM at the Pleasure Chest in the Upper Eastside.
jesse
Wow, that's great! And by sexy shop we specifically mean that they sell Ted Dansons?
anita
That's right. Exactly. Cardboard cutouts, yes.
jesse
Anita's on Instagram and Twitter at @anitajewtina. Anita, it's been a joy to have you on the show! Thank you so much!
anita
It's been a pleasure; thank you so much.
jesse
Our thanks to Yipee Kiyay for naming this week's episode. Oh, I do so hope that that's a legal name. [John laughs.] If you'd like to name a future episode of the show, like Judge John Hodgman on Facebook. We regularly put out calls for submissions there. You can follow us on Twitter. John is @hodgman. I am @JesseThorn. Hashtag your Judge John Hodgman Tweets #JJHo to get in on the conversation. You can also chat about this episode at MaximumFun.Reddit.com if you're a redditor. Our show is on Instagram at @judgejohnhodgman. I think, uh, we'll just be having Hannah post a lot of pictures of Paul this week.
john
[Laughing] Yes! Yes!
jesse
Make sure to follow us there. This week's episode recorded by Justin LaPointe at Electric City Sound. Our producer is Hannah Smith. Our editor is Jesus Ambrosio. Now, Swift Justice! Your small disputes, our quick judgment. Ruby asks: "What's the best milk spot in the fridge? I grew up putting milk in the door. My partner Liv says milk belongs in the middle shelf of the main fridge. HELP!"
john
I have put it in the door, and I have put it in the bottom shelf, and I put it in the middle shelf. My only rule is it's gotta be on the right-hand side, 'cause that's my go-to. I'm right-handed, and I gotta get that milk! Put it wherever you want. That's not gonna solve your problem, but I don't care about any problems anymore. I just realized I'm part of the _Cheers_iverse.
jesse
[Stifling laughter] That's about it for this week's episode. Submit your cases at MaximumFun.org/jjho or email hodgman@maximumfun.org. No case is too small. We'll see you next time on the Judge John Hodgman podcast.
sound effect
[Three gavel bangs.]
music
A cheerful guitar chord.
speaker 2
Comedy and culture.
speaker 3
Artist owned—
speaker 4
—audience supported.
About the show
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