Pedro Almodovar

Bullseye with Jesse Thorn: Antonio Banderas

Antonio Banderas

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Photo by Manolo Pavón. Courtesy Sony Pictures Classics.

Antonio Banderas

Antonio Banderas. Need we say more? The man has been acting for nearly forty years, yet his role in Pain and Glory is one of his most challenging to date. But what could challenge a man that fought for his life, guitar in hand and learned how to wield a sword from a whip-cracking Anthony Hopkins?

The film is directed by Banderas' long-time friend, acclaimed filmmaker Pedro Almodóvar. The two started working together in Madrid. Banderas was a regular in Almodóvar's eccentric dramas throughout the 80s. But by the 90s Banderas had relocated to Los Angeles and was making his way into American films like The Mambo Kings. Over the years he became the Banderas we all know; the Banderas that is a household name.

But all his Hollywood know-how had to be set aside when preparing for his character in Pain and Glory. Banderas plays Salvador Mallo, a director crippled by his many maladies: headaches, back pain, asthma. As a result Mallo's career is at a standstill. He's stuck, yet he still has this yearning to create. All of which has been a very real struggle for Almodóvar, who has lived with chronic pain for much of his life.

The film debuted at Cannes Film Festival where Banderas won a much deserved award for Best Actor — his performance is beautiful. He doesn't try to channel Almodóvar, but rather personifies the director's pain. But don't take our word for it, go see it yourself.

On Bullseye, Banderas talks to us about about how his heart attack has informed his acting, reuniting with Almodóvar and coming-of-age in Spain.

Pain and Glory is in theaters now.

Click here to listen to this interview on Youtube.

Who Shot Ya? Episode 111: Pedro Almodóvar's 'Pain & Glory' with Ira Madison III

Who Shot Ya?
Ira Madison III

Pain & Glory

A beautiful episode with a beautiful guest. The gang is joined by Ira Madison III to discuss the new Pedro Almodóvar film, Pain & Glory. They also chat about the WORST horror films of all time. And, as always, staff picks.

In news, Shea Serrano doesn't like old movies, Hugh Grant thinks the cinema is much too loud, and RIP Scotty Bowers.

Staff Picks:

Ify - Tales from the Hood
Drea - Little Monsters
Alonso - Sátántangó
Ira - Arsenic and Old Lace

With Ify Nwadiwe, Drea Clark, Alonso Duralde, and Ira Madison III.

You can let us know what you think of Who Shot Ya? on Twitter or Facebook. Or email us at

Call us on the "Who Shotline" - WSY-803-1664

Produced by Casey O'Brien and Laura Swisher for

Bullseye: Pedro Almodóvar and Alexis Krauss

Pedro Almodóvar
Alexis Krauss

New to Bullseye? Subscribe to our podcast in iTunes or with your favorite podcatcher to make sure you automatically get the newest episode every week.

Photo: Jesse Thorn

Pedro Almodóvar on his new film Julieta, Spain in the 1980’s, and why he never writes about himself

Pedro Almodóvar has been making art for almost 4 decades. Whether that be music, writing, or directing, he has a distinct, bold, and critically acclaimed vision to his art. Originally from a small rural town in Spain, Pedro moved to Madrid in his late teens to study film. His artistic endeavors flourished during the Spanish cultural revolution that followed Francos death in 1975. His first film of distinction was called Women on the Verge of a Nervous Breakdown, for which he was nominated for the 1988 Best Foreign Film Academy Award. Since then, he has won two Golden Globe and two Academy awards, among many others.

This week, Jesse sits down with Pedro to talk about his new dramatic endeavor Julieta, his new wave band, and his unseen ailment.

You can find more information about Julieta here.

Photo: Rob Kim/Getty Images

Alexis Krauss on the song that changed her life

Alexis Krauss, one half of the pop-metal band Sleigh Bells has been a musician her entire life. Both of her parents are musicians, and some of her earliest concerts were with her dad performing on the Jersey Shore.

This week, Alexis tells us what song changed her life in a way that only this mid-90’s female pop-rock recording artist could for a young budding musician. You probably oughta know.

Photo: A Prize Bull In A Barn by Richrd Whitford, 1875

The Outshot: 19th Century Paintings of Cows

Finally, Jesse tells it to you straight: he's fallen hard for 18th and 19th century paintings of cows, and you should too.

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