We hope you enjoyed last week’s table read of Space Bound written by Golden Globe-nominated writer/director of Promising Young Woman, Emerald Fennell. We caught up with Emerald in this week’s episode to discuss her pilot and her writing process. She talked about the importance of writing redeeming characters in comedies and why she prefers writing on spec versus pitching. A lesson in attaching producers to a project and a highly anticipated dive into the space world of Beta Complex 622. If you’re afraid of spoilers, you should definitely listen to the table read before this interview. But either way, enjoy Andrew’s conversation with Emerald Fennell. Thanks for listening!
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In this episode...
- Emerald Fennell (Promising Young Woman, Killing Eve)
About the show
In Dead Pilots Society, scripts that were developed by studios and networks but were never produced are given the table reads they deserve. Starring actors you know and love from television and film, a live audience, and a good time in which no one gets notes, no one is fired, and everyone laughs. Presented by Andrew Reich (Friends; Worst Week) and Ben Blacker (The Writers Panel podcast; co-creator, Thrilling Adventure Hour).
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