A podcast where musicians take apart their songs, and piece by piece, tell the story of how they were made.
The Thermals originally began as Hutch Harris’s solo recording project. He sang and played all the instruments on the 2003 Thermals record More Parts Per Million. In this episode, Hutch breaks down his lo-fi recording of the song No Culture Icons. The track was later mixed by Chris Walla, who is known best for his work with Death Cab for Cutie, and we’ll hear some thoughts from him as well. I spoke with Hutch in front of a live audience at the XOXO Festival in Portland, Oregon.
Buy "No Culture Icons" on iTunes.
In addition to guitars, drums, and bass, the band Anamanaguchi makes their music with the 8-bit sounds that were built into Nintendo video game consoles made in the 1980s. They use software called a tracker to meticulously sequence and produce those sounds. Most of their music is instrumental, but in this episode, they break down of the first times they’ve incorporated vocals, for the song Prom Night, which features singer Bianca Raquel. Prom Night is from their most recent album, Endless Fantasy, which debuted at #1 on Billboard’s Heatseekers chart when it came out in 2013.
The song by Capsule is "I Wish You," from the album Player.
Spoon was formed in 1993 by singer Britt Daniel and drummer Jim Eno. They've released eight albums, including their most recent record, They Want My Soul, which came out in August 2014. In this episode, Jim Eno breaks down the song "Inside Out," explaining how it went from the original demo to the finished album version, including what other music influenced the recording. Plus, we'll hear from their co-producer, Dave Fridmann, whose other credits include The Flaming Lips album The Soft Bulletin, and Oracular Spectacular by MGMT.
Buy "Inside Out" on iTunes here.
In May 2014, the video game company Ubisoft released Watch Dogs, about a vigilante hacker in Chicago in the near future. Here's how the game is described on their website: "You play as Aiden Pearce, a brilliant hacker and former thug, whose criminal past led to a violent family tragedy. While seeking justice for those events, you'll monitor and hack those around you." It sold over 4 million copies in its first week of release.
The music for the game was made by Brian Reitzell, who played drums in the bands Air and Red Kross before becoming a composer and music supervisor for films like Lost In Translation and Beginners. He also creates the music for the NBC television show Hannibal.
In this episode, Brian talks about the unique challenges posed by scoring video games, where players control what happens on screen and as a result, what happens in the music. He'll break down a piece called Donovan, which he wrote for a chase sequence within the game. He also describes the instrument he created from a hundred-year-old piano.
This episode is presented in conjunction with Polygon.
The Tangerine Dream song that plays is "Mysterious Semblance At the Strand of Nightmares."
In this episode, rapper Open Mike Eagle talks about making the song Dark Comedy Morning Show, along with the track's producer, Walker Ashby, aka Toy Light. Mike breaks down how Toy Light's original instrumental version of this song inspired him, and how his view of his own vocals on the track has changed since recording them.
In the fall of 2001, Phil Elverum released the album The Glow, Pt 2 on K Records. Pitchfork named it the best album of the year. In this episode, Phil recounts how he created the first song on the record at Dub Narcotic Studio. He spoke with me from his home in Anacortes, Washington, about his love of being alone in the studio, evoking nature through music, and where the name The Microphones comes from. Plus a few words from Calvin Johnson, the founder of K Records. This episode is presented in conjunction with The Creators Project.
The band Converge formed in 1990, when its members were teenagers. They've been making music that lives somewhere in the intersection of punk, hardcore, and metal for almost 25 years. Guitarist Kurt Ballou spoke to me from his studio GodCity, which is where Converge writes and records. I also spoke over the phone with singer Jake Bannon. Coming up, they'll talk about how the physical space of GodCity influenced their songwriting, how the Boston hardcore scene gave them a home, and how to get the classic Swedish death metal guitar tone.
In this episode, we'll get a deconstructed view of the song One Second of Love by Nite Jewel. I spoke to Ramona Gonzalez of Nite Jewel and her partner and producer Cole MGN in their home studio in Los Angeles as they took a break from making a new record. Coming up, they'll talk about the process they undertook, including recording to tape as a creative restriction, and collaborating with their friends and each other.
The band Garbage formed in 1994 when three guys from Madison Wisconsin — Butch Vig, Steve Marker, and Duke Erikson, met Scottish singer Shirley Manson. Twenty years later, they've sold over 17 million records worldwide. In this episode, we'll get a view inside their 2012 song "Felt" from the album "Not Your Kind of People." Butch Vig, who is also a legendary producer behind some of the most influential albums of all time like Nevermind by Nirvana, Siamese Dream by Smashing Pumpkins, Dirty by Sonic Youth, and countless others, spoke to me from his home studio in Los Angeles. I also interviewed Shirley Manson separately to get her insight on how the song was made. Plus some thoughts from their longtime engineer and now co-producer Billy Bush.
Buy "Felt" on iTunes here.