movies

Who Shot Ya? Episode 94: 'Men in Black: International', Troubled Productions, and Our Favorite Movie Posters with Julia Prescott

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Show: 
Who Shot Ya?
Guests: 
Julia Prescott

Men in Black: International

You know what? We make this look good. Podcasting that is. Alonso and Drea are joined by the wonderful co-host of 'Everything's Coming Up Simpsons' - writer and comedian Julia Prescott. The three of them dissect the brand new film, Men In Black: International. They chat about the movies that received the "troubled production" reputation. Plus, they discuss their favorite/least favorite movie posters. And, as always, staff picks.

In news, April Wolfe is writing the Black Christmas remake, an animated Spice Girls musical is on its way, and Dee Rees is working on a fantasy musical of her own.

Staff Picks:

Alonso - Between the Lines
Drea - Wild Rose
Julia - At the Heart of Gold: Inside the USA Gymnastics Scandal

With Alonso Duralde, Drea Clark, and Julia Prescott.

You can let us know what you think of Who Shot Ya? on Twitter or Facebook. Or email us at whoshotya@maximumfun.org

Call us on the "Who Shotline" - WSY-803-1664

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 85: 'Night Tide' with 'Gas Food Lodging' Director Allison Anders

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Guests: 
Allison Anders

Night Tide

Allison Anders is an award-winning screenwriter, film and television director who was born in Kentucky and raised in LA. She attended film school at UCLA, where she co-directed the 1987 feature film Border Radio. Her first solo feature film, starring Fairuza Balk and Ione Skye, Gas Food Lodging premiered at the Sundance Film Festival in 1992, and earned her Independent Spirit Award Nominations for Best Director and Best Screenplay. She went on to write and direct the feature films Mi vida loca, Grace of My Heart, and Sugar Town, as well as Things Behind the Sun, for which she won a Peabody award. She’s directed episodes of Sex and the City, Orange Is the New Black, Southland, Riverdale, Murder in the First and recently Sorry for Your Loss.

The movie that Allison has chosen to discuss is a deep cut, but a good one. It's the moody, horror, thriller Night Tide. Allison discusses her early fascination with the film and how it keeps re-emerging in her life. She elaborates on the beginning of her career, and how it really spawned from deeply stalking Wim Wenders. Allison talks at length about the move from independent features to directing television. And she has an amazing story of helping Harry Dean Stanton cultivate his character on Paris, Texas with a poem she wrote after having a catatonic episode.

If you haven't seen any of Allison's films, Gas Food Lodging is a great place to start.

And go watch Night Tide too, while you're at it.

With Katie Walsh and Allison Anders.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 82: 'Unfaithful' with 'Being Frank' Director Miranda Bailey

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Guests: 
Miranda Bailey

Unfaithful

Miranda Bailey is a producer, actor and director. She’s produced over 20 films, among them the Oscar-nominated The Squid and the Whale, the Spirit Award-winning The Diary of a Teenage Girl, as well as James Gunn’s Super, the Sundance hit Swiss Army Man and the critically acclaimed Norman. Her directorial debut came in 2010 with the documentary Greenlit, a humorous piece examining the hypocrisy inherent in Hollywood’s green movement, which premiered at SXSW. Bailey’s directorial narrative feature debut Being Frank, an offbeat family dramedy premiered in the Spotlight Section at the 2018 SXSW Film Festival and 2018 Los Angeles Film Festival. The film stars Jim Gaffigan, Anna Gunn, Samantha Mathis and Logan Miller.

The movie that Miranda has chosen to discuss is the super sexy Unfaithful. She and April talk about the art of seduction in film, and Miranda relates some stories of directing sex scenes in her own movies. Miranda shares her experience working with Richard Gere and why she feels she could call him if she was being murdered. Plus the two dissect director Adrian Lyne's filmography of seductive thrillers, and why the most important scenes in his films frequently involve the toilet.

You can check out Being Frank in theaters this Father's Day.

If you haven't seen it yet, go watch Unfaithful.

With April Wolfe and Miranda Bailey.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Inside Pop Ep. 152 - Killing Eve & Fleabag: The Worlds of Phoebe Waller-Bridge, Costume Design of She's Gotta Have It, Netflix's Special

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Show: 
Inside Pop
Guests: 
Marci Rodgers

If you're tired of hearing about the collective disappointment of a certain dragon-centric TV show - have no fear - in this episode we celebrate successful achievement of some of the most satisfying shows on television!

First up, Sean and Amita discuss the second seasons of Killing Eve and Fleabag, two creations of the absurdly talented Phoebe Waller-Bridge (ok - and maybe we go on a teeny tiny tangent and discuss how some series are better than others at concluding).

Then Amita interviews costume designer Marci Rodgers about her work on Spike Lee's She's Gotta Have It and BlacKkKlansman.

Finally Amita reviews Sean's Big Sell from last week - the new Netflix series, Special, and then sells him a new singer, Masego, who is headed to the AfroPunk stage later this summer.

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Who Shot Ya? Episode 90: 'John Wick: Chapter 3 – Parabellum' and The Directors We First Loved with Special Guest Host Dwayne Perkins

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Show: 
Who Shot Ya?
Guests: 
Dwayne Perkins

John Wick: Chapter 3 – Parabellum

This week we have a brand new guest host, the wonderful comedian Dwayne Perkins. He joins Alonso and Drea to talk about the newest installment in the John Wick franchise, John Wick: Chapter 3 – Parabellum. The gang does their best to estimate the number of people that John Wick killed throughout the film. Plus, they discuss the career of the universally beloved, Keanu Reeves. They answer a question from the "Who Shotline" that inquires about which directors they first fell in love with. And to finish things off, as always, we've got staff picks.

In news, Chris Rock is bringing back the Saw franchise, Quentin Tarantino begs the Cannes filmgoers not to spoil his film, Michelle Rodriguez signs on for another Fast & Furious, and the internet is unhappy with the idea of a Robert Pattinson Batman.

Staff Picks:

Alonso - We Have Always Lived in the Castle
Drea - See You Yesterday
Dwayne - Cooley High

With Alonso Duralde, Drea Clark, and Dwayne Perkins.

You can let us know what you think of Who Shot Ya? on Twitter or Facebook. Or email us at whoshotya@maximumfun.org

Call us on the "Who Shotline" - WSY-803-1664

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 80: 'An American Werewolf in London' with 'American Psycho' and 'Charlie Says' Writer Guinevere Turner

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Guests: 
Guinevere Turner

An American Werewolf in London

Guinevere Turner is a writer, director and actor who has been working in film and TV since her 1994 debut feature Go Fish, which she wrote, produced and starred in. The film premiered at Sundance and then got picked up by Samuel Goldwyn. Next, Guinevere teamed up with director Mary Harron to write the adaptation of Bret Easton Ellis’ novel American Psycho, starring Christian Bale as a psychopathic finance guy who murders people for fun and to see how much he can get away with. Guinevere also worked with Harron writing The Notorious Bettie Page. She was a writer, story editor, and played a recurring character on Showtime’s The L Word. Her latest screenplay, Charlie Says, tells the story of the women who killed for Charles Manson as they serve out the first few years of their decades-long prison term. Charlie Says is directed by Mary Harron and is in theaters now.

The movie that Guinevere has chosen to discuss is An American Werewolf in London. She and April elaborate on just how groundbreaking this film was in terms of its combination of comedy and real horror. They, of course, dissect the famous werewolf transformation scene. Plus, Guinevere talks about her own process, and how her childhood spent in a cult inspired her newest film Charlie Says. She reveals that she hates it when actors change the dialogue from one of her screenplays, but conversely, as an actress she always asks if she can change lines. She discusses her dislike of tricking actors into performances. And she even touches upon working with Christian Bale on American Psycho and her decades long collaborative relationship with Mary Harron.

You can check out Charlie Says in theaters now.

If you haven't seen it yet, go watch An American Werewolf in London.

With April Wolfe and Guinevere Turner.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 79: 'The Red Queen Kills Seven Times' with 'Body at Brighton Rock' Director Roxanne Benjamin

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Guests: 
Roxanne Benjamin

The Red Queen Kills Seven Times

Roxanne Benjamin is a Los Angeles-based filmmaker, who began her career in creative development, analyzing story for film festivals and production companies. In 2010, she moved up the ladder at a company called The Collective, where she went on to produce the well known anthology horror films V/H/S and V/H/S/2, which premiered at Sundance Midnights. Roxanne then helmed the short “Don’t Fall”, part of Magnolia Pictures’ all-women-helmed horror anthology, XX. She served double duty on the film, co-writing and producing the segment “The Birthday Party” for musician-turned-director Annie Clark aka St. Vincent. Body at Brighton Rock is her solo feature directorial debut. It tells the story of a young woman working the trails of a mountainous park, who finds a dead body in the middle of nowhere and is given orders to guard the scene, facing down all her worst fears. Roxanne is currently working on a remake of Night of the Comet for Orion Pictures.

The movie that Roxanne has chosen to discuss is a giallo classic - The Red Queen Kills Seven Times by Emilio Miraglia. She and April go over all the tenants of the Italian giallo genre - the murder, the fashion, the blood! Roxanne talks about how giallo has influenced the way she works on her own films, and particularly, how she crafts her kills on screen. Plus she goes into detail on the production of her newest film, Body at Brighton Rock, and the "1980's TV movie" look she was going for. She and April also dissect the unfortunate prevalence of rape in the horror genre, and how so often it's disturbingly used as a device to titillate.

You can check out Body at Brighton Rock streaming now.

If you haven't seen it yet, go watch The Red Queen Kills Seven Times.

With April Wolfe and Roxanne Benjamin.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Switchblade Sisters Episode 78: 'Mulholland Drive' with 'Wild Nights with Emily' Director Madeleine Olnek

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Guests: 
Madeleine Olnek

Mulholland Drive

Madeleine Olnek is a New York City based playwright and filmmaker. She began her career with award-winning and widely screened comedy shorts. ​Countertransference ​(2009) and Hold Up ​(2006) were official selections of Sundance, while ​Make Room For Phyllis ​(2007) premiered at Sarasota. Olnek was also awarded best female short film director at Sundance in 2009 by LA’s Women In Film organization. Her debut feature, ​Codependent Lesbian Space Alien Seeks Same, told the story of three lesbian space aliens who come to Earth, and one of them falls in love with an earthling. It ​premiered at Sundance 2011 and is now translated into eleven languages. Her second feature, ​The Foxy Merkins,​ is a kind of buddy-comedy homage about two lesbian prostitutes. She is one of the authors of The Practical Handbook for The Actor (with a foreword by David Mamet), a widely used acting textbook. And now she’s back with her third feature, Wild Nights with Emily, a perhaps more truthful yet comic telling of the life of Emily Dickinson, starring Molly Shannon as the eponymous poet. Madeleine was awarded the Guggenheim Fellowship for the completion of the film, so it is a BIG DEAL.

The movie that Madeleine has chosen to discuss is one that she calls a "masterpiece." That would be David Lynch's Mulholland Drive. Madeleine likens the film to The Bible in that there are many interpretations that are applicable across generations. She discusses how she is personally connected to the film and how she felt that it truly mirrored her own life. Madeleine even dons David Lynch "our great poet of filmmaking" and explains why this film (and Inland Empire) are his greatest poems. She also discusses why she cast Molly Shannon in her newest film, Wild Nights with Emily. And how most literary adaptations do not properly portray the true words and feelings of a piece of literature. She ends the conversation with explaining why artists have the moral obligation to put humor in their work, and how making a straight drama is not a creative choice.

You can check out Wild Night with Emily in theaters now.

If you haven't seen it yet, go watch Mulholland Drive.

With April Wolfe and Madeleine Olnek.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Inside Pop Ep. 150 - Game Of Thrones: The Long Night, Avengers: Endgame, Tribeca Film Festival

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Inside Pop

It's official- good things happen in April and this past weekend was proof positive with two of the most anticipated pop culture events of the year- the Game of Thrones epic white walker showdown and Avengers: Endgame. Somehow, we handled (survived) all of the epic pop culture offerings this weekend and have thoughts, questions and predictions! (Warning: This episode contains spoilers for Game of Thrones, but NOT Avengers)

We start off with our reactions to the epic third episode of Game of Thrones and one of the most surprising and satisfying Stark moves of the entire series! We chat about the suspense, horror and action filled 87 minute journey that took us on a fire and icy ride through Winterfell. Plus, we pour some out for those who didn't make it and try to predict what will happen next.

Then, Sean tries to discuss Avengers: Endgame without spoiling anything for Amita. We discuss what it was like to avoid spoilers all weekend and how it may have been easier than expected.

Plus, Sean attended a few screenings at the 2019 Tribeca Film Festival and gives his take on the new Wu-Tang Clan doc series, Of Mics and Men and a new Naomi Watts and Octavia Spencer film called Luce.

And in the Big Sell, Amita reviews the 2019 playlist from our podcast friends JoJCast and sells Sean on an interesting essay from Vulture about pop plagiarism.

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Switchblade Sisters Episode 77: 'The Peanut Butter Solution' with 'Pet Sematary' Actor and 'The Girlfriend Experience' Co-creator Amy Seimetz

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Guests: 
Amy Seimetz

The Peanut Butter Solution

Amy Seimetz started out writing, directing, and acting in short films and made her feature debut in a pair of films, Black Dragon Canyon and the indie cult hit Wristcutters: A Love Story. She appeared in films such as Gabi on the Roof in July, Tiny Furniture, You're Next, and The Myth of the American Sleepover before directing her own feature debut, Sun Don't Shine in 2012. Amy went on to co-create and executive produce the critically acclaimed Starz series The Girlfriend Experience. In 2018, Amy directed two episodes of the acclaimed FX series Atlanta and subsequently signed a first look television production development deal with the network. But yes, she continued acting throughout that time as well, and you’ve seen her in Upstream Color, Alien: Covenant, The Killing, Stranger Things, Wild Nights with Emily, and Pet Sematary.

But the movie that Amy chose to discuss has nothing to do with any of that! She's chosen The Peanut Butter Solution, a Canadian children's movie from the eighties that most people thought they dreamed up. April and Amy dissect the crazy plot and how something this unconventional could be made for children. Amy discusses working on her debut Sun Don't Shine, collaborating with Hiro Murai and Donald Glover on Atlanta, and being directed by Madeleine Olnek on Wild Nights with Emily. Plus, they ponder the lessons on creative freedom that can be learned from children's films and how it's sometimes best to not think logically.

You can check out Pet Sematary and Wild Nights with Emily in theaters now.

If you haven't seen it yet, go watch The Peanut Butter Solution.

With April Wolfe and Amy Seimetz.

You can let us know what you think of Switchblade Sisters on Twitter or Facebook.

Or email us at switchbladesisters@maximumfun.org.

Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

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