The MaxFun Blog

Maximum Fun is your home on the internet for things that are awesome. Our blog will guide you and our family of podcasts will entertain and inform you. About

Podcast: The Lifesavas


For the past 15 years, underground hip-hop trio The Lifesavas have blended smartly intricate rhymes with socially-conscious and self-aware lyrics. Hailing out of Portland, Oregon, The Lifesavas worked with many top names in the underground scene before finally releasing their first LP, Spirit in Stone, in 2003. Their new album is Gutterfly: The Original Soundtrack. Released in April of this year, the ambitious full-length is imagined as the soundtrack to a (non-existent) blaxploitation film.

Please share your thoughts on the show on our forum!

Download This Week's Show
Subscribe in iTunes
Review the show in iTunes
Please Donate to Support the Show

Listen to This Week's Show

Embed this interview in your page with this code:

Listen to To Bonus Audio (Not Aired on Radio)

Download Bonus Audio (MP3)

Our interstitial music is provided by Dan Wally

You might also enjoy these past programs:
Sa-Ra Creative Partners
Peedi Crakk
Killer Mike

The Sound of Young America is supported in part by Project Breakout and the comedy competition at

Podcast: Kasper Hauser Comedy Podcast Ep. 15: Fake-a-Wish


This week: The California Youth Authority presents Fake-a-Wish Camp, for children who have faked illnesses in order to receive... "last time fun things."

Please continue to subscribe and review the show! You can also check out KH's videos on YouTube.

Download This Episode (MP3)
Subscribe in iTunes
Review in iTunes
Buy Kasper Hauser's new book: "Skymaul"

Hear Episode Fifteen

Embeddable Player Code (Copy and Paste)

Tony Wilson


Tony Wilson, who died last Friday, was one of the founders of Factory Records, and, as anyone who’s seen him portrayed so memorably by Steve Coogan in 24 Hour Party People knows, he was influential within the larger Manchester scene that also brought us The Buzzcocks, Joy Division, The Smiths, and countless other bands that helped define the sound (and business) of indie rock up through today.

Obituaries recalling Wilson's influence, passion, and peculiar attraction for insane money problems abound this week (BBC, Rolling Stone, Idolator), so I’ll just opt for sharing a few of the amazing bands he helped steer my happy way.

Joy Division - “Transmission” (1979)

New Order - “Ceremony” (1981)

New Order - “Blue Monday” (1983)

The Durutti Column - “Never Known” (1981)

Happy Mondays - “Step On” (1990)

First TSOYA From Kuwait...


This Evening Rob Huebel, Rob Riggle, and Horatio Sanz and I landed in Kuwait for over a week to do shows in Iraq for the troops as part of the USO under the title "OPERATION: SMELL THE HEAT."

I haven't been to Iraq since I was a kid but I have fond memories of "Space Mountain" and "Mr. Toads Wild Ride" plus I love the Electric Parade...oh wait I think that's Disney World, I always getting those two confused. Disney has the rides and Iraq has a 130 degree daily temp, that's right.

Just keep your fingers crossed that their are no Transformer attacks while we are their because I saw that Michael Bay documentary, "Transformers" and those things are brutal.

Case in Point!

(By the way if you are in the Persian Gulf area or know anybody that is, the USO can give them details about our shows. The locations are secret, even to us...So check out the USO website for more info)

By the way, the coolest thing that I found out about the USO is that Gary Sinise travels over their all the time with with the Lt. Dan Band. I've never heard them, but if it's as good as Bubba Gump restaurant, I already love it.

Here's my 1st photo blog...Hopefully, I'll get a chance to do more but I'm not exactly sure what the Internet connections will be like, so if this page isn't updated take a look at these pages while I'm gone...

My You Tube Page
My Photo PageUPDATED

Lifesavas Need Saving!


As you may have heard on the latest TSOYA, The Lifesavas were held hostage by Jesse's elevator for a good half hour prior to their interview. Good thing they're such amiable guys, eh? Here's some photos of the rescue.

Are You Superbad?


You've probably all heard the buzz about "Superbad" by now and after seeing an advance screening of it a few weeks ago, I can honestly say, the movie is great! You have to go see it and when you do see it, bring your grandma. Because seriously no one is bringing her anywhere anymore and you should be nice to your grandma. She loves you. Plus she loves to hear the word "Cock."

One of the best things about "Superbad" are the really funny internet promotions they've been doing for the film, which are made exclusively of new material and it includes such celebrities as Edgar Wright (Director of Shaun of the Dead & Hot Fuzz) and Ian Roberts (Upright Citizens Brigade). Take a look....

A Journalist (Edgar Wright) causes a problem during the Superbad Press Junket


steve coogan


Tony Burrows: The King of 1970


Video: Edison Lighthouse - “Love Grows” - Top of the Pops - 1970

Tony Burrows sang on a handful of familiar, early-70s bubblegum records, but don’t bother flipping through your parents’ box of 45s, because you probably won’t find his name or face on too many of the labels. Tony was the uncredited British session singer who “fronted” a handful of those one- and two-hit-wonder bands whose hooks are still taking up considerable space in your author’s unconscious. But, you sure don’t see his face popping up too often in the promotional videos and performances for the songs he helped make famous.

Love Grows” by Edison Lighthouse? That’s Tony (though lip-synched here by some other handsome fellow). “Beach Baby” by First Class? That's totally Tony (although, again, that’s not him jivin’ and a'mimin’ in the video either). “My Baby Loves Lovin’” by White Plains? Oh, you better believe that’s Tony (and nope, for the hat trick, that’s not Tony in the video either — That’s Robin Shaw, one of First Class' backup singers).

But! As for Tony’s appearing in the flesh: friends, it happened that on one weird day in 1970, Tony Burrows did something that’s still unprecedented (captured in part on the video shown above). Tony Burrows performed three times on the same episode of “Top of the Pops” — singing with three different chart-topping bands of the day. A record that remains unbroken and which, at the time, instantly made him a persona non grata to the BBC:

When Brotherhood of Man were announced, out came Tony Burrows to sing the hit song. After completion, he strolled offstage to make room for another act, White Plains — who just happened to be represented by Burrows, who once again took his place in front of the microphone. At the show’s conclusion, when the No. 1 hit was finally announced, chart-toppers Edison Lighthouse were invited up to perform — and, yes, it was Tony Burrows once more.

The show’s producers were aghast, and after wiping the egg off their faces, the reportedly unofficially banned the three-timing Burrows from ‘Top of the Pops’ out of sheer embarrassment.

A few record covers
showing Tony's
ginormous output

So, I’m just guessing somebody got sacked a couple weeks later when, again according to this awesome article, Tony snuck onto TOTP for a fourth appearance — this time to sing the paint-peelingly awful/catchy “Gimme Dat Ding” by The Pipkins.

There’s an exhaustive Tony Burrows fansite with an informative rock family tree, plus sleeve art and more information on the man’s many other appearances, including “United We Stand” by Brotherhood of Man, and — we're going deep catalog here, kids — Tony's 1967 psych-pop band The Flowerpot Men, who gave us the lovely, Brian-Wilson-escent “Let’s Go to San Francisco.”

The man got around.

And, don’t get me started on Ron Dante (wikip), who was kinda like the L.A. version of Tony Burrows.

The man who — before producing Barry Manilow and before being invited by George Plimpton to be publisher of the freaking Paris Review — was the uncredited voice of The Archies on hits like “Sugar, Sugar”.

Seriously. Don’t even get me started.

Merlin (for the vacationing Jeese)


Hello Maximum Fun Readers!...My Name is Paul and I'll be guest blogging a bit this week while Jesse is away on vacation. Hopefully my posts will keep you entertained, however I do want to give you a disclaimer, my grammar is atrocious and use of random punctuation is upsetting to many people. But now that we know that we can move on and look past it.

So lately I'm been obsessed with this Man....

His name is the Iron Sheik. His move is the Camel Clutch and he is INSANE!

Enjoy this Clip from from a Public Access Wrestling Show, it gets great a 1:15, but if you have patience watch it from the beginning, it's totally worth it.

If you wanna another dose of the Sheik enjoy his appearance on the Gay Themed Channel on Sirius

After watching these I challenge you not to talk like him for the rest of the day.

Podthoughts by Ian Brill: Radio Lab


In our regular feature Podthoughts, freelance journalist Ian Brill helps you navigate your way through the thousands of podcasts available on the internet.

I discovered Radio Lab when Ira Glass recommended it at the end of a This American Life podcast. He was speaking to the right audience. WNYC’s Radio Lab starts with a big theme and examines it in a series of short segments. Like TAL they’re audio documentaries. The interviews aren’t soundbites. Hosts Jad Abumrad, Robert Krulwich and their producers ensure in-depth interviews with their subjects. They have to because unlike TAL Radio Lab’s segments stick much closer to their themes.

Throughout the show Abumrad and Krulwich will pop in and offer their opinions on the show’s binding idea, be it morality, mortality or the mystery of memory. They’ll often debate with each other, which is very interesting. The two have easily defined but different personalities. Kurlwich is a man of heart. Even when given the cold, hard scientific facts about memory or morality he’ll want to believe that there’s something more going on than just biological or evolutionary traits. Abumrad deals with the more logical side of things and plays a nice foil to Kurlwich.

What really impressed me about Radio Lab when I first heard it was how sound was edited. In the show “Memory and Forgetting” the hosts and the archived sounds of the interview subjects lap over each other. Sound effects dramatizing an event come in quick burst. Certain phrases and sounds are repeated at various times. This is the first time I’ve heard a radio show that matched the fast pace of television. Radio Lab makes sure to use this style deliberately and clearly. They know when to slow the show down, such as during somber and emotional moments. Listening to Radio Lab you get that immediate sense of being “there” on the field reports but you’re also pulled back by Abumrad and Kurlwich’s hosting. It’s a unique listening experience but a nice one.

Syndicate content