We're joined this week by the entire cast of the Low Times podcast for their music recommendations. Daniel Ralston goes with Rock Bottom by King Krule, Maggie Serota suggests Your Side by Fear of Men, and Tom Scharpling recommends The Diaz Brothers by The Mountain Goats.
Liam Lynch is a writer, director and musician who's made a career out of a certain kind of alternative musical and skit comedy -- the kind that is "funny the way your friends are funny with each other." That sensibility lent itself well to Lynch's directorial work in Sarah Silverman's Jesus is Magic and Tenacious D's The Pick of Destiny.
His sock puppet duo, Sifl & Olly, found a niche on late-night television on MTV. Joined by the occasional sidekick or home shopping network representative, Sifl and Olly ribbed each other, took calls from the public, and broke out into songs like Lynch's strange and catchy "United States of Whatever."
He's now revived the puppets, more than ten years after the last Sifl & Olly Show broadcast, to conduct fake video game reviews for the YouTube channel Machinima.
The Kasper Hauser news team is back with another update. If you’re tired of telling fact from fiction in your news, we'll make it simple for you: this news is completely fake.
Geoff Nunberg is a professor at UC Berkeley, the resident linguist of Fresh Air, and the author of Ascent of the A-Word: Assholism, the First Sixty Years. He talks to us about his studies into the word "asshole," which began life as a bit of slang used by WWII servicemen and has come to envelop the concept of modern incivility.
Jesse shares his enjoyment of the analytical comedy of Bill Burr.
Who’s your favorite standup? Jump over to the MaxFun forum and pick your own Outshot.
For summer music recommendations, we’re joined by our rock music correspondents Daniel Ralston and Maggie Serota of the Low Times podcast. They recommend Henrietta by Yeasayer and Life by Summer Camp.
R.J. Smith is a former senior editor at Los Angeles Magazine and a music journalist who's written for the Village Voice and Spin. For his latest project, he took on the task of profiling the Godfather of Soul, James Brown. Smith's extensive biography, The One: The Life and Music of James Brown, follows the musician from his childhood, raised in a whorehouse, wearing burlap sack underwear, to stardom, and then to reinvention.
James Brown was a hugely influential musician and performer, known for hits like "I Got You (I Feel Good)" and "Get Up (I Feel Like a Sex Machine)," and he was one of the driving forces behind the creation and popularity of funk music. But he was also much more than that -- a tenacious businessman who ran his finances into the ground, a man of messy and confusing political alliances, and a hardliner on drug abuse (who eventually fell to his own drug addictions).
Why didn’t Brown’s politics fit neatly into a particular mindset? And why, unlike nearly all of his black contemporaries, did he endorse Nixon? What drew crowds of screaming fans to his performances? And how did he survive the rise of disco? Smith's book delves into Brown's storied and complicated life and music career of six decades, as well as his effects on pop music, politics, and race relations in 20th century America.
Cameron Esposito is a standup comic who's been featured on this show and performed at TBS' Just for Laughs Chicago, South by Southwest, and the Aspen Rooftop Comedy Festivals. She recently moved to Los Angeles right in time for the 4th Annual MaxFunCon, and joined us to perform a set musing on her childhood appearance.
Why not go where everybody goes your name? This week, Jesse recommends that you revisit Cheers.
Do you have a piece of pop culture that keeps you coming back? Share your own Outshot on our forums.
This week's pop pundits, Daniel Ralston and Maggie Serota, come care of The Low Times Podcast (co-hosted by Tom Scharpling of The Best Show on WFMU). Daniel is enamored with Caitlin Rose's alt-country spin on The Arctic Monkeys' tune "Piledriver Waltz", while Maggie can't get enough of the infectiously poppy and deceivingly upbeat synth heartache of Lemonade's "Soft Kiss."
Ice-T is a rapper and actor, with more than ten albums and nearly eighty acting credits to his name. He's also one of the forefathers of west coast hip-hop. This week he adds "filmmaker" to an already diverse resume, as he makes his directorial debut with the hip hop documentary Something from Nothing: The Art of Rap, in theaters this Friday, June 15th.
Ice sits down with us to talk his desire to bring an artful appreciation to hip hop's origins and about going through his phone book to sit down with friends to discuss the craft, and to resolve the mystery as to whether or not he was a ghostwriter for an 80s rap album by Mister T.
For much of his musical career, Aaron Freeman might have been better known to you as Gene Ween, guitarist and co-founder of the experimental rock band Ween. In May, Freeman released his first solo record, Marvelous Clouds, a collection of covers of songs by 60s poet/songwriter Rod McKuen. And just a few weeks ago, Freeman announced he was retiring the Gene Ween persona for good. This week he tells us about the song that changed his life: Bob Marley's "No Woman, No Cry".
Greta Gerwig is an actress and filmmaker, whose starring role in the 2007 comedy Hannah Takes the Stairs put her right at the heart of the mumblecore movement. She's since gone on to leading roles in bigger indies alongside Ben Stiller in Greenberg, as well as major motion pictures like Arthur, opposite Russell Brand. The indie darling has had a particularly prominent year in 2012, with starring roles Damsels in Distress and the romantic comedy Lola Versus, both in theaters now, and a supporting role in Woody Allen's latest, To Rome With Love, due later this month.
Greta joins us to discuss her artistic upbringing in Sacramento (complete with dreams of being a ballerina), her meteoric and slightly serendipitous rise as an actress, and the way her public perception seems to change with each role she plays.
On this week's Outshot, Jesse misses the old days of pure wacky comedy insanity exemplified by the unfiltered goofiness of Mel Brooks' History of the World, Part I.
Is there a film that never fails to make you laugh like a mad man? Share the laughs on the MaxFun Forum by picking your own Outshot.