Light and Shade: Conversations with Jimmy Page

Bullseye with Jesse Thorn: Bill Withers

| 0 comments
Show: 
Bullseye
Guests: 
Bill Withers
Guests: 
Ian Cohen
Guests: 
Davy Rothbart
Guests: 
Brad Tolinski

New to Bullseye? Subscribe to our podcast in iTunes or with your favorite podcatcher to make sure you automatically get the newest episode every week.

And if you're looking for a particular segment to listen to or share, check us out on Soundcloud.

Soul Legend Bill Withers Talks about Dignity, The Music Industry, and Striving to Be a "Complete Human Being"

The singer/songwriter and soul music legend Bill Withers may have written some of the most memorable songs of the past half century, but his person doesn't loom large in the public eye. He wasn't eaten up by fame, and he didn't disappear and try to claw his way back. He just walked away from the music industry, for the most part, making the decision to live life on his own terms.

With no formal songwriting training (he enlisted in the Navy at 17, and then worked as an aircraft engineer), Withers rose to fame with his first album Just As I Am, recorded in his thirties. The album, produced by Booker T. Jones, showed an already fully-formed talent with “Ain’t No Sunshine” and “Grandma’s Hands.” Since then, more of Withers' hits, like “Lovely Day,” “Just the Two of Us,” and “Lean on Me” have endured the test of time.

Jesse sat down with the music legend in 2009 to talk about his life and career, around the time that the documentary Soul Power was released. Withers discusses his roots in a coal mining town, enlisting in the Navy, and why he was able to start a music career later in life.

Withers also opens up about his decision to stop performing, his gratitude for the fame when it came to him, and why he continues striving to be “a complete human being.”

Related interviews:
Booker T. Jones

If you liked this, let someone know! Click here to share this segment with your friends.

Pitchfork's Ian Cohen on his Favorite Heavy Rock

Ian Cohen, contributing editor at Pitchfork, stops by to recommend some of his all-time favorite heavy rock releases.

He tells us about an album which (in a move unusual for its genre) has an entirely pink cover. Deafheaven’s newest album, Sunbather, has been well-received and is on its way to becoming “an absolute landmark.”

In addition, Ian recommends the most recent Swans album,The Seer. In a bold creative move, the band creates a title track well over thirty minutes long.

If you liked this, let someone know! Click here to share this segment with your friends.


Davy Rothbart’s Lost and “Found”

Davy Rothbart, editor and publisher of FOUND Magazine, shares some of his favorite "finds".

FOUND collects notes, photos, to-do lists, love letters, and other ephemera (basically society’s flotsam and jetsam). The magazine is on its eighth issue and posts new finds all the time on their website. If you've got a cool find, be sure to share it with them.

Rothbart's new documentary Medora, about a small-town Indiana basketball team, opens in New York City and Los Angeles on November 8.

If you liked this, let someone know! Click here to share this segment with your friends.


Canonball: Remembering When Rock Got Weird, with Led Zeppelin's "III"

With Canonball, we take a flying leap into the canon of popular music to find albums that deserve a closer look.

This week, we’re joined by Brad Tolinski, editor-in-chief of Guitar World and author of Light and Shade: Conversations with Jimmy Page.

He tells us why we should take another listen at Led Zeppelin III, the band’s third album, which took a strange turn on its unforgettable first track (“Immigrant Song”) and tapped into the zeitgeist of its time with the bold tracks that followed.

If you liked this, let someone know! Click here to share this segment with your friends.


The Outshot: The Cane

Ideally, the cold open on a sitcom (the segment right before the opening credits) should be a self-contained nugget of comedy perfection. This week, Jesse recommends one of his favorites with NewsRadio’s “The Cane,” featuring the comedic talents of the bombastic Phil Hartman and the ultimate straight man, Dave Foley.

After all, it’s just like that old saying: “Everybody loves a cane.”

If you liked this, let someone know! Click here to share this segment with your friends.

Bullseye with Jesse Thorn: Nick Kroll, Billy Eichner, Brad Tolinski

| 0 comments
Show: 
Bullseye
Guests: 
Nick Kroll
Guests: 
Billy Eichner
Guests: 
Brad Tolinski
Guests: 
Mark Frauenfelder

New to Bullseye? Subscribe to the show in iTunes or via the RSS feed, or check out our SoundCloud page to share any or all of these interviews or recommendations!

Mark Frauenfelder Recommends: The Struggle for Catan and Anomia

Mark Frauenfelder of Boing Boing and the podcast Gweek zeroes in on his favorite card games. His first pick is The Struggle for Catan, a spin-off of the colony-building board game Settlers of Catan. He also plugs Anomia, a crazy-fast word game that "makes your brain confuse being first with being the loudest."

Share Mark Frauenfelder's Game Recommendations


Nick Kroll in character as "Aspen Bruckenheimer"

Nick Kroll on Finding Comedy in Humanity's Worst

Nick Kroll has a knack for taking humanity's very worst and turning it into comedy. You can see it in his portrayal of Ruxin, the overly-aggressive lawyer and fantasy football player of FX's The League, but it's even more apparent in his new Comedy Central series, Kroll Show.

Kroll Show features amazingly specific characters that have become familiar as artifacts of our reality-show, fame-gripped culture: self-indulgent trust fund party boys, vapid PR professionals, and a wannabe record producer who lives with his mom.

Kroll returns to Bullseye to discuss how he finds inspiration in people lacking self-awareness – and, on the other hand, the perils of being too self-aware.

Kroll Show airs Wednesdays at 10:30/9:30c on Comedy Central.

Embed or Share this interview with Nick Kroll.

Canonball: A Tour of Led Zeppelin's III with Brad Tolinski

This episode marks the debut of our new segment: Canonball. We'll take a flying leap into the canon of popular music and find albums that deserve a closer look.

This week, we're joined by Brad Tolinski, editor-in-chief of Guitar World and author of the new book Light and Shade: Conversations with Jimmy Page.

He'll tell us about Led Zeppelin III. With that album, Led Zeppelin moved away from the 60s obsession with authenticity and deep ideas -- and into a whole new sound.

Embed or share this segment: Canonball: A Tour of Led Zeppelin's III with Brad Tolinski.

Billy Eichner and the Pop Culture Maniac That is Billy on the Street

Comedian Billy Eichner roams the streets of New York with a camera crew, roping unsuspecting pedestrians into playing his game show, Billy on the Street. While Cash Cab paved the way for street-ambush game shows, Eichner's approach has a unique twist.

The correct answers are often subjective (as in the game "Dead or Boring") and his game show persona is hyper-energetic and over-the-top. He's ready to swoon with a contestant who shares his love of Meryl Streep, or yell and stalk angrily away from a contestant who doesn't.

Eichner tells us about his screaming encounters with Madonna, the influence of Pee-wee Herman on his on-screen persona, and the role that game show laws played in the development of his show. (It turns out that "game show compliance lawyer" is a real job.)

Episodes of Funny or Die's Billy on the Street are available online and air Fridays at 10/9c on FUSEtv.

Embed or Share this interview with Billy Eichner.

The Outshot: João Gilberto

On the Outshot, Jesse features João Gilberto, a musician who stripped away the heat and intensity of samba to create a cool, minimalist genre: bossa nova.

Embed or Share this Outshot on João Gilberto.

Syndicate content