Here's a personal story first performed at MaxFunCon featuring your MaxFun overlords, Jesse Thorn and Jordan Morris.
On this Very Special Episode of One Bad Mother, Biz and Theresa celebrate Father's Day! We talk about our own dads and discover that despite every single television advertisement we've ever seen, all dads might not be total idiots.
We call Al Madrigal, comedian, Daily Show Correspondent, and one of the hosts of the podcast Minivan Men, to talk dad stuff and get some advice. We're also joined by our husbands for a Very Special genius and fail segment this week!
Share your genius and fail moments! Call 206-350-9485
Opening theme: Summon the Rawk, Kevin MacLeod (incompetech.com)
"But You Love Me, Daddy (with Jim Reeves)" by R. Stevie Moore (http://www.rsteviemoore.com/)
Telephone, Awesome, Beehive Sessions (http://awesomeinquotes.com, also avail on iTunes)
Closing music: Mama Blues, Cornbread Ted and the Butterbeans (www.cornbreadted.com and available on iTunes)
Meg and her boyfriend Tony share a one-bathroom house in Portland. Meg suggests using a chamber pot when the bathroom is occupied, but Tony is appalled by the idea. Should Meg be allowed a "Plan B"? Only one man can decide.
Special thanks to listener Catherine Molaphny for inspiring this episode's title!
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Christopher Guest is best known for his faux-documentary comedies: films like This Is Spinal Tap, Best in Show, and A Mighty Wind. His very earliest work was in the theater -- he co-wrote National Lampoon's Lemmings -- and then in the mid-80s, he made a quick foray into television on Saturday Night Live.
Now he's returned to TV with a comedy created for HBO, Family Tree. The show follows wayward thirty-something Tom Chadwick (played by Chris O'Dowd), who digs deep into his family's history after being dumped by his longtime girlfriend. Though Guest's films usually follow a specific subculture (that of dog shows, community musical theater, or the world of heavy metal), Family Tree focuses on Tom, his family, and the many people he meets while trying to dig up genealogical dirt.
Guest joins us to talk about what makes bad music parodies so awful, how to keep from being swayed by film critics' reviews, and the most bizarre reaction to a Hollywood pitch that he's ever received.
Family Tree airs Sunday nights at 10:30pm on HBO.
Summer's almost here – so why not celebrate with some new music? The AV Club's Music Editor Marah Eakin and Lead Copy Editor Andrea Battleground have a couple albums in mind. Andrea suggests checking out Mikal Cronin's latest album, MCII, a garage-rock record that brings a poppy, melodic twist to the genre. Marah's pick is Vampire Weekend's Modern Vampires of the City, the latest record from the New York-based indie rock band that she says is just as much fun coming from your speakers as it is live.
Nick Krill was stuck in a musical rut. He'd been listening to the same records for years, and was happy doing it. But while he was on tour, he heard something that nudged him to branch out again. That song was "Pueblo Nuevo" by The Buena Vista Social Club – a song that got him thinking about rhythm and composition in totally new ways.
Here's something terrifying about the internet: once something's out there, it's out there. Sure, your Facebook and Twitter posts have a handy delete button next to them, but clicking on them is no guarantee that they'll go away forever.
That's something Dan Kennedy's painfully aware of. As a writer, host of The Moth storytelling podcast, and an acerbically brilliant Twitter user, he gets more mileage than most of us do from taking his most personal moments and making them public. But Kennedy's found that this kind of sharing can have its downsides – hence his first novel, American Spirit, which just came out today. The book has a few anecdotes inspired by Kennedy's real life. American Spirit follows Matthew, a fired media executive whose life is falling apart; in fact, things are so bad, he finds himself divorced and living in his car. But in spite of the plot's direness, American Spirit is strangely hilarious and life affirming.
Dan Kennedy sits down with us to discuss how he inadvertently started working on the book long before he sat down to knock out a first draft, the responsibilities that writing non-fiction brings, and why living each day as if it was your last is actually a really terrible idea.
Embed and Share Dan Kennedy on Making His Most Personal Moments Public
Ever feel nostalgia for a time or place that you never even experienced firsthand? That's what Jesse felt after watching Ric Burns' documentary Coney Island, a beautiful portrait of America caught somewhere between its past and its future.
Embed and Share Jesse's Outshot: Coney Island
Mike brings the case against his wife, Christine. Mike is very allergic to cats and dogs, but Christine hopes to own a furry pet one day. She's asked Mike to undergo allergy shots. Should Mike take one for the team, or should the family give up the dream of cute fuzzy wuzzies? Only one man can decide.
Special thanks to listener Amy Franco for suggesting this episode's title!
Ryan brings the case against his friend and neighbor, Allie. Ryan recently moved and has decorated an outside porch area with indoor furniture. Allie thinks the furniture isn't appropriate for outside use. Who's right? Who's wrong? Only JUDGE JOHN HODGMAN can decide.
Special thanks to listener Corrie Woods for suggesting this episode's title!
Andrew Noz joins us to provide some recommendations from the world of hip hop. First, he talks to us about Chance the Rapper's self-proclaimed lyrical challenge, as evidenced in Juice, a track off his latest mixtape, Acid Rap. And what if Lil Wayne stayed off the beaten pop music path? It might sound like Young Thug's weirded-out track, Picacho.
It's hard to imagine what American comedy would look like without Mel Brooks. With a sharp eye for parody, a seemingly infinite supply of gags, and enough destruction of the fourth wall to make a postmodern novelist blush, his work has set the tone for countless comedy TV shows and films. It's hard to imagine SNL's relentless TV parodies without Your Show Of Shows (which Brooks wrote for alongside Sid Caesar back in the 50s), The Simpsons without his filmography full of sly pop-culture references, or the careers of Airplane! creators Zucker, Abrahams and Zucker without Brooks' shameless love of (self-admittedly) awful jokes.
A new PBS American Masters documentary, Mel Brooks: Make A Noise, explores the life and career of the EGOT winner and man behind The Producers, Young Frankenstein, Blazing Saddles, and so much more. Brooks talks to us about fighting in World War II (where he managed to even make a few Germans laugh), the genius of Gene Wilder, and that time Sid Caesar dangled Brooks out the window of a Chicago hotel room.
PBS's American Masters documentary Mel Brooks: Make A Noise premieres Monday, May 20. Check with your public television station for local listings. A box set from Shout! Factory with over ten hours of rare and exclusive footage was also released late last year.
The Source Family fit the conventional image of a typical hippie cult in a lot of ways – assuming, of course, that there is such a thing as a typical hippie cult. You could point to the commune, the long hair, the Jesus-y robes...not to mention occasional hits of what they called "sacred herb". Dig deeper, though, and it becomes clear that there was plenty that separated the Source Family from stereotypes.
The group was just as unique as their leader, a man who called himself Father Yod. He was a former Marine, stuntman, jujitsu expert who founded the Source Family alongside a highly successful vegetarian restaurant. Out of the back of that restaurant, the family sold recordings of their regular jam sessions, which became the stuff of psychedelic rock legend. Perhaps most unlike your average cult leader, Father Yod was not particularly attached to any particular ideology – not even his own. In direct violation of his own commandments, Yod married thirteen wives, a move which both alienated a number of family members and caught the LAPD's attention. This caused the Source Family to flee to Hawaii, which ultimately resulted in the group's demise.
We're delving further into LA's most famous hippie cult with the help of Maria Demopoulos and Jodi Wille, the directors of a new documentary called The Source Family. They discuss the group's run-ins with celebrities (and law enforcement), why Father Yod once told his followers to cut their hair and get jobs, and whether or not they would have joined the group, if given the chance.
The Source Family is in limited nationwide theatrical release. For information about screenings at a theater near you, check out the film's website.
This week, find out why Jesse's been spending a lot of time with Home Comforts by Cheryl Mendelson, a home-tome that gracefully runs the housekeeping gamut from sections titled "Administering Insurance Policies" to "Privacy, Sex, and the Constitution".
We're delighted to have blogger, book critic, and LA Times writer Carolyn Kellogg with us to give this week's pop culture picks. Her first suggestion is Ken Ilgunas's Walden on Wheels, a memoir about a three-year cross-country journey that he took to pay off his student loans. If you're looking for something from the world of fiction, Kellogg says to check out Kate Atkinson's Life After Life, a darkly funny novel about an early 20th century girl that Atkinson repeatedly (and gleefully) kills off over the course of the novel.
It seems strange now, but when Huey Lewis and The News released their first record in 1979, music executives weren't expecting them to become a huge success. With bombastic hair bands on one end of the rock spectrum and sneering punk rockers on the other, there didn't seem to be much of a place for Lewis and company's fun, bluesy pub-rock. But thumbing their noses at industry naysayers turned out to be the right move for Huey Lewis and The News. Case in point: 1983's Sports, their first record to hit number one on the Billboard charts.
Thirty years later, the band's commemorating the thirty-year anniversary of that album with an expanded re-issue of Sports, featuring remastered tracks and live versions of songs like "The Heart of Rock & Roll" and "I Want a New Drug". Huey Lewis sat down with Jesse to talk about the album that brought them to stardom, as well as his experiences writing songs for Back to the Future and Pineapple Express, how to stow away on an airplane to Europe (well, it worked in the seventies), and how a trip to Morocco convinced him that a career in music was possible.
Huey Lewis and The News' 30th Anniversary Edition of Sports will be released on May 14. For more information about the band and their US tour, you can check out their website.
(And as a bonus for our podcast listeners: want to hear about how Huey Lewis met Michael Jackson, Stevie Wonder, Bob Dylan, and just about every other super-famous singer…all in one night? Then be sure to check out our extended interview with him on our SoundCloud page, where he talks about recording the eighties anthem "We Are The World".)
Remember the seventies, before phones got smart? It was a simpler time. There were no apps, no texts, and jailbreaking was something you could only do in a prison. But there was still plenty of trouble to get into using a phone.
As Phil Lapsley explains in his new book, Exploding The Phone: The Untold Story of the Teenagers and Outlaws who Hacked Ma Bell, the early seventies marked the beginning of phone phreaking. Phreaking involved tricking the systems that controlled phone lines by re-creating frequencies that phones used to communicate with one another. Just by using a tone-generating device called a blue box, a phone phreaker could fool phone networks into connecting them to long-distance calls – calls that usually cost hundreds of dollars – for free. But it didn't take long for phone companies to take notice.
In this interview, Lapsley explains that phone phreaking changed the world as we know it. He talks about why phone companies were initially hesitant to prosecute phreakers, why enthusiasts involved with phreaking despite having no one in particular to call, and why Steve Jobs once said that there'd be no Apple without phone phreaking.
Exploding the Phone is available now. And if you pick up a copy of the book, keep an eye out for phone numbers in the text... They could lead you to some interesting places.
There's a pretty simple formula to Antiques Roadshow: someone comes in with a knickknack and has it assessed by an expert. Next comes everyone's favorite part: the big reveal, where they find out what their item is really worth. That's part's pretty great, Jesse says – but there's something about Antiques Roadshow that he loves even more.
AV Club Head Writer Nathan Rabin and Managing Editor Kyle Ryan join us this week to give their pop culture picks. Kyle recommends checking out The Thermals' new album, Desperate Ground, a return to the band's loud, punk rock style. From the world of film, Nathan suggests checking out It's A Disaster, a black comedy on VOD and in select theaters about a group of friends dealing with a divorce and the approaching apocalypse.
What does the career trajectory of a lifelong political junkie look like? There are the obvious choices, like a major in Political Science, law school...maybe even a career in politics. But Armando Iannucci took a different path – one that led him to Oxford, an incomplete PhD, and work writing and producing comedy, like his acclaimed political satire The Thick of It and the feature film In the Loop.
Iannucci created a new take on American politics in the HBO comedy Veep. Now in its second season, the show follows a fictional Vice President (played by Julia Louis-Dreyfus) with lofty ambitions but little actual power. Veep showcases the comedy inherent in the struggle for the political upperhand, the constant panic and exhaustion. Seemingly small gaffes quickly escalate into ridiculous catastrophes. The show's dialogue is marked by careful attention to absurd politi-speak and some especially creative cursing.
Iannucci joins us to talk about the difference between UK and US politics, why he sympathizes with our elected officials, and conducting swearing research in Washington, D.C.
Billy Bragg performs politically-minded folk music with a punk rock edge, songs with a tone and attitude somewhere between Woody Guthrie and the Sex Pistols. But what led to him developing his voice as an artist?
As Bragg explains, one of the most pivotal moments in his life happened during his lunch break at a record store. He put on a record that changed his life: Bob Dylan's folk anthem The Times They Are A-Changin'.
Billy Bragg is currently touring the US. You can find dates and tickets through his website.
Most of us first knew Julia Louis-Dreyfus from her Emmy-winning role as Elaine on Seinfeld. Elaine flailed, fought, and danced her way into our hearts as the friend to "losers" Jerry, George and Kramer. But Louis-Dreyfus first arrived in entertainment fresh off her college comedy sketch group, as a repertory player in the Dick Ebersol-helmed cast of Saturday Night Live.
After Seinfeld, she went on to anchor several sitcoms, including The New Adventures of Old Christine, with delightful guest appearances on shows like Arrested Development and 30 Rock. Her career has now taken her to a different cast of skewed characters on HBO's Veep.
On Veep, Louis-Dreyfus plays Selina Meyer, Vice President of the United States. Though the vice-presidency is a prestigious position, Meyer's day-to-day work is less than impressive. Her staff members claw at each other for power and prestige. She suffers awkward encounters with the media and consistent snubs from the President (a running gag on the show is Selina's off-hand question, "Did the President call?" The answer is usually no).
Julia Louis-Dreyfus joins us to talk about the similarities she's discovered between show business and politics, the boys' club that was SNL in the 80s, and a certain terrible dance that still haunts her to this day.
Veep airs on HBO on Sundays at 10/9 PM central.
Rap isn't poetry – it's its own thing. But, like poets, many of the best rappers imbue their lyrics with layers and layers of meaning. Need proof? Jesse suggests a close listen to Jay-Z's "Threat".