The album: Digable Planets: Reachin' (1993)
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The album: A Tribe Called Quest: Low End Theory (1991)
Producer/MC Denaun Porter aka Mr. Porter has been in the hip-hop scene for over two decades. He has some impressive credits under his belt, producing songs that combined have sold almost 100 million records. He has worked with some of the industries top-talent including Eminem, 50 Cent, SnoopDog, Shakira, Bad Meets Evil, and many more. He is also one of the founding members of the chart-topping Detroit hip-hop group D12. It was none other than ATCQ's "Bonita Applebaum" that inspired Mr. Porter to get into hip-hop and not surprisingly, when we invited him to the show, he wanted to talk about one of the all-time great hip-hop albums: ATCQ's sophomore effort, Low End Theory.
During our convo, we discussed the production techniques and sample choices, how good the album's sequencing was, and why Q-Tip and the late Phife Dawg went together like peanut butter and jelly. We also got into the fight-provoking question of: Low End Theory or Midnight Marauders?
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The album: Freestyle Fellowship: To Whom It May Concern (1991)
Brian Cross, better known to most as B+, is one of the most important photographers of the hip-hop generation to ever emerge out of the West Coast. A transplant from Ireland to California, Cross began documenting the L.A. rap community throughout the late '80s and early '90s, producing one of the great books about the region's hip-hop scene, It's Not About a Salary. He's also a founding partner of the music/events organization Mochilla. Just this year, Cross finally published his first book reflecting on his career in photography, Ghost Notes: Music of the Unplayed. For his episode with Heat Rocks, Cross took us back to 1991 and the release of To Whom It May Concern, one of the greatest West Coast hip-hop albums of all time...and one that most people never got to hear back in the day because of its limited distribution at the time. Better late than never; don't keep sleeping.
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The album: Main Source: Breaking Atoms (1991)
MC extraordinaire Pharoahe Monch was no stranger to the trio known as Main Source (Large Professor + DJs K-Cut and Sir Scratch) back in the early '90s: Monch and Large Professor came up under the tutelage of the same mentor: producer Paul C. Though C was tragically murdered in 1989, both his proteges would go onto have banner years in '91 as Large Professor saw Main Source's Breaking Atoms released to critical fanfare while Monch enjoyed the same just a couple of months later when he and Prince Po released their debut, self-titled LP as Organized Konfusion.
Monch sat down with us to talk about the experience of buying Breaking Atoms on tape from Hot Waxx in Queens and having it blow his mind on that first listen as well as what he's learned from the album in the 25+ years since. Listen to this episode live at your BBQ...
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The album: Outkast: Speakerboxxx/The Love Below (2003)
The Grammy nominated ladies of King are Anita Bias alongside sisters Amber and Paris Strother and it seems only right to have a super-sized guest talk about a super-sized album: Outkast's massive double LP from 2003: Speakerboxxx/The Love Below. Amongst other topics, we talked about how each of the three women first crossed paths with Outkast, what the group meant for the rise of the South in the 1990s, and revisited the endless debate over whether this as an Outkast album or a pair of Big Boi/Andre 3000 solo albums packaged together.
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The album: Kendrick Lamar: Section.80 (Top Dawg, 2011)
To talk about Kendrick Lamar's studio LP debut, we wanted to find someone of K-Dot's generation, another L.A. young gun, and who better than pianist and composer, Kris Bowers? Like Kendrick, Kris grew up in L.A. and just as Kendrick has ascended the hip-hop ladder, so has Kris in jazz, as he won the prestigious Theolonious . But more than that, the web of Los Angeles musical ties was bound to bring the two into orbit in different ways - something we discuss in the episode - not the least of which is the fact that Kris covered one of the biggest tracks in Kendrick's early career: "Rigamortis."
In our conversation with Kris, we got deep into how he put together both the song and video for his version of "Rigamortis," whether or not Kendrick has a jazz sensibility in his style, and what it's like to see a hometown kid become the Greatest Rapper Alive.
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The album: Run DMC: Raising Hell (Profile, 1986)
Jay Smooth was always on our list of "people who we gotta get for Heat Rocks." His cultural and political commentary, much of which he does through his pioneering Ill Doctrine videos, have positioned him as one of the hip-hop generation's leading pundits and he's also hosted one of the longest running rap shows in the world: The Underground Railroad on WBAI.
For this show, Jay wanted to revisit Raising Hell a paradigm-shifting rap album that, as we discuss, has seemingly become underrated through the passage of time though it is unquestionably one of the most important hip-hop releases, ever. We get into the moment in which Run DMC first arrived, how they changed the game for rap artists (for better and for worse) and of course, all our fire track and sleeper jam picks off this LP.
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The album: Dr. Dre: The Chronic (Interscope, 1992)
This is a special "prequel" episode, originally taped in December of 2016. Back then, Heat Rocks was just a mere glint in the eye Morgan and Oliver. All we had was a basic concept: how about a podcast devoted to doing deep dives into an album? We invited Univ. of Oregon musicologist Loren Kajikawa, author of Sounding Race In Rap Songs, to help us tackle one of the most important albums of the last 25 years: Dr. Dre's The Chronic, which just so happens to celebrate its 25th release anniversary today (hence why we timed to put it out now).
For our listeners, you'll notice that while this episode shares some familiar aspects with our regular Heat Rocks shows, there are some differences. For one, we hadn't come up with our format yet, especially in having our guests pick a hot track, sleeper jam, etc. We had also toyed with a little "Context" section - complete with its own jingle! - that we eventually abandoned because it was superfluous (Oliver did have fun making the jingle though). But overall, we think you can easily see the seed of Heat Rocks even in this very early attempt. Hope you all enjoy it and we're so happy to finally share this, one year later.
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The album: Missy Elliott: Da Real World (Elektra, 1999)
Artist and producer Suzi Analogue originally hails from Missy Elliott's native state of Virginia though these days, she's rooted in Los Angeles, having come up within the city's beat scene. Suzi wanted to talk about what she described as the "underdog" album, Missy's enormously successful yet somewhat forgotten sophomore album, Da Real World, one in a string of five back-to-back platinum LPs for Missy and her production partner, Timbaland. We talked about Missy's creative genius and what that meant for a young girl, growing up in VA.
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The album: Common: Like Water For Chocolate (MCA, 2000)
This week, we are joined by Los Angeles rapper, Ill Camille. She picked Common's Like Water For Chocolate from 2000, a moment that marked the Chicago's turn towards becoming a hip-hop elder statesman, backed by the production might of the Soulquarians crew. Camille's love for the album runs deep and during the course of our taping, she'd bust out Common's rhymes, line for line.
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