Aimee Mann

Pop Rocket Episode 121: Kendrick! Lorde! Gaga! The 2017 Music Special with Gerrick Kennedy

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Show: 
Pop Rocket
Guests: 
Margaret Wappler
Guests: 
Wynter Mitchell
Guests: 
Karen Tongson
Guests: 
Gerrick Kennedy

This week, the gang (minus Guy) is joined by Gerrick Kennedy, music writer at the Los Angeles Times, to discuss the best album releases of 2017. For the first time in 33 years, there are no women in the top 10 of the Billboard Hot 100's chart. The gang discusses whether they think this is a fluke or a trend, how they think streaming services affect the numbers, and what this means for women musicians of color. They discuss the importance of the new Kendrick Lamar album Damn. and about early contestants for "The Song of the Summer" title. They talk about whether they think Ed Sheeran is creepy and why Harry Styles is a #HeForShe hero. Then, in lieu of jams and because Coachella just kicked off the start to the music festival season, the panel tells us about their dream music festivals-where they would be, who would be playing, and how much they would cost. All of this, plus each panelist tells us what they're all about.

Margaret Wappler, Karen Tongson, Wynter Mitchell, and Gerrick Kennedy

Each week we’ll add everyone’s jams to this handy Spotify playlist.

You can let us know what you think of Pop Rocket and suggest topics in our Facebook group or via @PopRocket on Twitter.

Other Links:
Phil Elverum Pitchfork Piece by Jayson Greene
Here Lies Love
Ed Sheeran's Rolling Stone cover story
No Women in Hot 100's top 10 For The First Time in 33 years

Produced by Christian Dueñas and Kara Hart for MaximumFun.org

Bullseye with Jesse Thorn: Aimee Mann, Seth Godin, Jordan Morris

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Show: 
Bullseye
Guests: 
Aimee Mann
Guests: 
Seth Godin
Guests: 
Jordan Morris
Guests: 
Andrew Nosnitsky

New to Bullseye? Subscribe to the show in iTunes or via the RSS feed, or check out our SoundCloud page to share any or all of these interviews or recommendations!

Rap Picks with Noz: Mystikal and Mouse On Tha Track

Andrew Noz joins us this week to share a couple of his current favorite rap tracks. His first pick is Mouse On Tha Track's smooth and mellow "Get High Get Loaded," featuring Fiend. His second recommendation is Mystikal's incredible new song "Hit Me."

Andrew Noz is the proprietor of the blog Cocaine Blunts, and he writes about hip hop for Pitchfork, the Fader, and Hip Hop Pit Stop.

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Photo credit Sheryl Nields

Singer-Songwriter Aimee Mann on Rejecting the Life of a Pop Star

Aimee Mann rose to prominence in the 80s with the success of her new wave band 'Til Tuesday's single, "Voices Carry," but she found the limelight uncomfortable. Tired of contending with record companies' attempts to pigeonhole her and her work, Aimee struck out on her own. She joins us this week to discuss that transition from frontwoman to solo artist, the stresses of fame, and coping with uncertainty at a time in her life when she thought she would have had everything figured out.

Aimee's new album, Charmer, is available now.

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Jordan Ranks America

2013 is a whole new year chock full of things that want ranking -- who has the time to tackle that task? Fortunately, we have Jordan Morris to tell us what's what!

Jordan Morris co-hosts the podcast Jordan, Jesse, Go!, stars in the YouTube series Game Shop, and tweets at @Jordan_Morris.

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Seth Godin on Making Art That Markets Itself

Seth Godin is best known as a marketing guru, but he brings far more compassion and genuine insight to his work than the title might lead you to expect. And his observations aren't just valuable for CEOs. He makes his work for content creators operating on every scale. He joins us this week to delve into the "assets that matter" -- the qualities and values critical to creating great, meaningful work.

Seth Godin's new books are V Is for Vulnerable: Life Outside the Comfort Zone, The Icarus Deception: How High Will You Fly?, and Whatcha Gonna Do with That Duck?.

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The Outshot: Orson Welles's F for Fake

Trickery and deception are featured prominently in some of Orson Welles's finest works, so it is fitting that the existence of an objective truth and its relative importance is most thoroughly explored in Welles's final major film, F for Fake. Part documentary, part film essay, F for Fake features tricks and truths layered atop each other, creating a mesmerizing narrative.

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