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Noz' 25 greatest Organized Noize Productions

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The always-incisive Noz writes that "It's the ability to convey, and then overcome, pain that remains Organized's greatest strength and separates them from so many of their peers." He's talking about Organized Noize, the legendary production team of the Dungeon Family - Outkast, The Goodie Mobb and friends, and he's compiled a wonderful list of their top 25 productions of all time.

I'm as big a Dungeon Family fan as there could be, but Noz has me trumped in all departments. There are lots of great tracks that I've loved for years in the list - like say Ludacris' "Saturday (Ooh Ooh!)," or Outkast's "Skew It On the Bar-B".

You owe it to yourself to check out the whole list. Above: the Cool Breeze classic "Watch for the Hook", below: Curtis Mayfield's duet with Lauryn Hill, "Here But I'm Gone." Not-so-fun fact: because Mayfield was paralyzed by the time he recorded the track (from his final album), he was forced to sing one line at a time while suspended upside-down in the studio so he could muster the breath to force out the notes.

Ice Cube - I Rep That West


Yeah, that's pretty solid.

MaxFunCon 2010

MaxFunCon 2010 was a wonderful, spectacular success. My thanks to the more than 200 people who came and celebrated with us. Blaine Cardoza shows the path to World Record Happiness John Hodgman offering the benediction, with the aid of a curious botanical. Jeff Solomon of Elephant Larry, as "Not That Batman." Our team: Nick, Julia, Chris and Mariel. They ruled. The Friday partay! Click through for more awesome shots by our photog, Noe Montes!

Podthoughts by Colin Marshall: The Harland Highway

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Vital stats:
Format: solo comedic monologues, character stuff and occasional "serious" commentary
Duration: 30m
Frequency: three days a week
Archive available on iTunes: all

An hour and a half of Harland Williams each week: now you either want to hear or you don't. Whether you're a diehard Harl-phile who holds daily screenings of RocketMan and Sorority Boys or a distant, occasional observer who regards the guy as the strangest sort of show-biz drifter, your assumptions about the content of The Harland Highway [RSS] [iTunes] are probably correct. It's an unadulterated Monday/Wednesday/Friday 30-minute excursion into the goofiest, most digressive Canadian mind America has ever known.

If you're into comedic podcasting, you might well know Williams best from his appearances on the Adam Carolla podcast. As divisive as the Ace Man's guests come, Williams liberally sprinkled his visits with non sequiturs, elaborate put-ons that maybe weren't actually elaborate put-ons at all and — a Williams trademark — uncanny birdcall imitations. Those into comedy more generally probably know him from his countless appearances on Conan O'Brien's show, which I never saw but where he no doubt did much the same thing.

Like fellow comedian Mike Schmidt's The 40-Year-Old Boy, Williams' is a solo podcast. Though he's demonstrated his ability to establish am amusing rapport with the Carollas and O'Briens of the world, an hour of two of listening reveals that nobody else should — or even could — share Williams' studio on a permanent basis. You might think of the show as The 47-Year-Old Space Boy. Williams demeanor is at once consumed by its own stream of consciousness and so transcendently goofy-uncle that I can't imagine anyone else keeping up.

After a little exposure to Williams, everyone asks the same question: "Is this dude for real?" The loping, super-modulated diction, the near-manic pursuit of preposterous ideas, the regular dips into sub-vaudevillian gag depths: it's got to be just an act, right? A skilled actor could certainly sustain the persona over a handful of movies and a regular string of TV sessions, but the frequency, regularity and sheer hours logged on this podcast prove pretty close to dispositively that Harland Williams is indeed, for better or for worse, Harland Williams.

He's really is the Harland Williams who plays both himself and his interview guests, including a flamboyant fellow bent on separating the concepts of "effeminate" and "gay" and a disappointingly herbal tea- and Yahtzee-loving Led Zeppelin. (He does not play his one regular guest, his cousin Kevin Hearn, the keyboardist for the Barenaked Ladies.) The Harland Williams who, every Friday, plays both himself and his lethargically unhelpful employer-mandated therapist, Dr. Ascot. The Harland Williams who assembles shows out of bizarre, unprompted monologues about women who wear flats ("Flat out unsexy!"), snoring sleeping partners and the ants that inhabit his home ("little browns"). The Harland Williams who ends every show with the sign-off, "Chicken chow mein, baby!"

Perhaps weirder even than all this is that, every few episodes, Williams delivers what sounds like an improvised essay of almost shocking sincerity. He did one recently about how he fears that America has grown undisciplined in recent decades and thus lost its way on the world stage. At first, it seems like just another one of his usual gags so broad that is comes all the way back around to specificity. But then you're like, "Wait, he actually means this," and you feel a tad weirded out. But then — and I know how wrong this sounds — he actually starts to make some honest-to-goodness sense. Not what you'd expect from a man who was in both Down Periscope and Freddy Got Fingered, but it's hard not to respect. He hasn't compromised himself in the least. He definitely hasn't done any focus-grouping.

[Want to hire Podthinker Colin Marshall to Podthink at your LAN party? colinjmarshall at gmail.]

Episode 113


No guest this week, as we talk about feeling like hoboes in fancy restaurants and getting beaten up in high school. Then we do Don't Get Me Started and Drunk Dials.

Download episode 113 here.

Brought to you by: (click through for rundown)

Freddie Gibbs - The Ghetto


Dude can spit.

Julie Klausner and "I Don't Care About Your Band": Interview on The Sound of Young America

Julie Klausner

Julie Klausner has written for Saturday Night Live and Best Week Ever with Paul F. Tompkins. Her new book is a dating memoir called "I Don't Care About Your Band: What I Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated." It chronicles her struggles dating man-children of all ages.

Paul Rudd's Computer, from Tim & Eric

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Jaheim - Fabulous

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Jaheim has a new video, and it's cool and everything, but it just made we want to listen to this song.

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